"She never felt like the protagonist of her own story." Arielle Smith's new Carmen for SF Ballet
"I've always felt a bit of a desire to look into that deeper and to explore how we can make Carmen a piece that's truly about Carmen.” The result is what Smith refers to as a “new classic.” A contemporary take that digs into the complicated humanity of the characters, exploring their strengths, vulnerabilities, and flaws. This retelling has shifted focus from the familiar context of the Bizet opera, making this a truly modern take on the classic. The creative team is comprised of a deep bench of heavy hitting tastemakers including an original score from Grammy Award-winning composer Arturo O’Farrill, set designs by Tony Award-winning Ricardo Fernandez, costumes by sustainable luxury fashion designer Gabriela Hearst, and expert Dramaturg Lucinda Coxon.

"You breathe it in, and you dance it out" | Edward Watson on Kenneth MacMillan's Song of the Earth

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I debuted the black swan pas de duex… (DAY IN THE LIFE ON TOUR) with ABT Studio Company

Yuan Yuan Tan and Aaron Robison in rehearsal for Frederick Ashton's Marguerite and Armand

The French Do Not Care About Work

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A Full Day with New York City Ballet's Sugar Plum Fairy | Ask a Local | Condé Nast Traveler
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The Future Prince of Ballet [PART 1] - DOCUMENTARY

Rowan Atkinson's Brilliant Humor Leaves Celebrities in Tears!

SF Ballet's Mathilde Froustey and Tiit Helimets

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I Compared Prix de Lausanne Dancers to Their Professional Selves: Here's What Changed

BEHIND THE BALLET - with Elizabeth Kaye | 20th CENTURY WORKS: BALANCHINE AND ASHTON 🩰

Artist Spotlight: Mathilde Froustey

we tried the Cecchetti Ballet Method for 1 week (successfully?)

Darcey Bussell's Ten Best Ballet Moments

Extreme ballet dancer Natalia Osipova shines!

The ballet that incited a riot - Iseult Gillespie

Mikhail Baryshnikov: The Turning Point Variations UPDATED
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