Montage as Conflict: Sergei Eisenstein’s October: Ten Days that Shook the World

In this video essay, Laura Ivins considers Sergei Eisenstein's infamous theory on montage through the lens of his 1928 epic October: Ten Days that Shook the World. Visit IU Cinema's blog, Establishing Shot, to read the accompanying blog post: https://blogs.iu.edu/establishingshot...