PRS SE pickup change, rewire and set up

In this video I'm setting up Dave's PRS, changing the pickups and re-wiring it to a Les Paul-style '50s wiring scheme. The video runs long (!) and towards the end my iPhone ran out of memory, leaving me running on the overhead Sony camera only. I need a newer phone with more onboard storage... but it's a big step up in cost from my iPhone 12 at about £15 a month to a 17 at around £60 per month... That'll teach me to make such long videos! On this guitar the first steps were to change the nut and set the last and first fret playing actions, followed by precision fret levelling. The nut, while perfect in the e-to-e dimensions (and height, width and front-to-back thickness) was slightly out in radius leaving me a bit low on the D and G strings. Rather than leave it like that, I prefer to add a 'boot' to the nut (from the same Tusq material). I only need a lift of about 1/10 of a mm; I glue on a piece of scrap about 1mm thick and the whole length... and then work it back precisely to the original height plus that 1/10mm. This gives me the opportunity to set the nut slots as I want them and once that's done, reshape the nut slighty to remove any excess height at the outside edges. With the nut done I set the playing action (the truss rod was set just right so no adjustment needed) and set about the fret levelling. The topography of the neck turned out to be very good; there were a couple of 'hills' along the way but relatively-speaking less than most necks I see on a day to day basiss. Good going PRS. With the frets levelled I re-crowned, then sanded and polished them. At THAT point I set about removing the electrical components (pickups, pots, switch, wiring and jack) and putting together the Les Paul-style 50s style wiring & pot layout. At this point you realise that quite a few things about the PRS's electrics cavity and pot holes in the guitar top are working against your attempt to lay out the electrical components and wiring in that lovely, elegant and minimalist way that the classic Les Paul 50s wiring achieves. This is because in the LP, the volume pots are close to, and either side of where the wiring tunnel arrives into the electrics cavity. Because of this, the braided wires from the pickups and the switch go straight to the pot top and get held (and grounded) there while the cloth-covered cores extend to the pot's lugs. This keeps all that grounded braid safely out of the way (i.e. not in the electrics cavity risking touching hot signal lugs and shorting out) and looks very neat as a resut. The problem with bringing the 50s wiring to the PRS is that you first have to re-arrange where the volumes and tones knobs sat in PRS configuration and make them LP configuration. This places the volumes differently in relation to the wiring tunnel; 1 pot is close to tunnel exit; the other is now some distance around the cavity. This has the effect of dragging more braided wire into the cavity and increasing the risk of accidental grounding. So that wire has to be tidied and cable-tied to keep it under control and the braided signal 'out' from the switch also has to be insulated with shrink tubing to prevent shorts. Before long, it looks ok-ish but nowhere near as neat as your original Gibson 59 LP 'burst.... Ah well. Thankfully I got everything in the right order and the whole scheme worked 1st time and it was time to close up the cavities and - as the iPhone had already run out of memory space - head home to complete the restringing, stretching and intonating.