Lee Krasner from the Depths of Despair to the Height of her Career
From her childhood in early 1900s Brooklyn to the end of her life in East Hampton, Lee Krasner painted with a distinctive, courageous vision. It was this vision that pushed her persevere as an artist in spite of adversity and tragedy. In this episode of Expert Voices, discover Lee Krasner’s resilient spirit and groundbreaking talent through her large-scale masterpiece The Eye is the First Circle, offered as a highlight of Sotheby’s Contemporary Art Evening Auction. Contemporary art specialist Saara Pritchard joins Eleanor Naire, curator at the Barbican Art Gallery and organizer of the upcoming exhibition Lee Krasner Living Colour, in an exploration of how The Eye is the First Circle exemplifies Krasner's iconic vision. Painted in 1960, this immense canvas is the crowning embodiment of Krasner’s Umber paintings, the highly lauded series of twenty-four works that have risen to acclaim as the creative pinnacle of her celebrated oeuvre. Created in the years following the sudden and tragic death of her husband, Jackson Pollock, the Umbers are defined by a gestural ferocity and ambition of scale unprecedented in Krasner’s earlier output. (16 May | New York)

Lee Krasner, 1978

Helen Frankenthaler interview (1993)

Visual Emotionism with artist Andre Desjardins

Gerhard Richter in the studio

Women Artists and Postwar Abstraction | HOW TO SEE the art movement with Corey D'Augustine

Pollock-Krasner House Studio Tour with Helen A. Harrison

Lee Krasner | Women Artists You Should Know

Arshile Gorky: Beyond The Limit

CONTEMPORARY ART : The painter Jean-Jacques Pigeon (Work in progress)

How to paint like Willem de Kooning – with Corey D'Augustine | IN THE STUDIO

David Hockney Interview: I Am a Space Freak

IN THE STUDIO WITH CLAIRE TABOURET

Lee Krasner | Little Images

Adolph Gottlieb: Classic Paintings

The Impressionist Mystery: Is This Lost Sisley Masterpiece A Clever Fake?

Abstract Art is Political | Artist Sam Gilliam | Louisiana Channel

Anselm Kiefer: “My paintings change"

"Most paintings are worthless" – Beltracchi on the art world

Why Does Time Stop at the SPEED OF LIGHT? Feynman's Mind-Blowing Truth

