Meeting Adrienne Barbeau at Planet Comicon 2024 Fri March 8th Kansas City MO

Adrienne Jo Barbeau (born June 11, 1945) is an American actress and author. She came to prominence in the 1970s as Broadway's original Rizzo in the musical Grease, and as Carol Traynor, the divorced daughter of Maude Findlay (played by Bea Arthur) on the sitcom Maude (1972–1978).In 1980, she began appearing in horror and science fiction films, including The Fog (1980), Escape from New York (1981), Creepshow (1982), and Swamp Thing (1982). She also provided the voice of Catwoman in the DC Animated Universe. In the 2000s, she appeared on the HBO series Carnivàle (2003–2005) as Ruthie. Early life Barbeau was born on June 11, 1945, in Sacramento, California, the daughter of Armene (née Nalbandian) and Joseph Barbeau, who was a public relations executive for Mobil Oil.[4] Her mother was of Armenian descent and her father's ancestry was French Canadian, Irish, and German. She has a sister, Jocelyn, and a half brother on her father's side, Robert Barbeau, who still resides in the Sacramento area. She attended Del Mar High School in San Jose, California. After graduating in 1963, she enrolled at Foothill College in Los Altos Hills, California, but dropped out at age 19 to participate in a USO Tour with the San Jose Light Opera.[9] In her autobiography, Barbeau says that she first caught the show business bug while entertaining troops at army bases throughout Southeast Asia, touring with the San Jose Civic Light Opera. Career 1960s–1989 In the late 1960s, Barbeau moved to New York City and worked "for the mob" as a go-go dancer. She made her Broadway debut in the chorus of Fiddler on the Roof and later took the role of Hodel, Tevye's daughter; Bette Midler played her character's sister Tzeitel. She left Fiddler in 1971 to play the leading role of Cookie Kovac in the off-Broadway nudie musical Stag Movie. Barbeau, as Cookie Kovac, and Brad Sullivan, as Rip Cord, were "quite jolly and deserve to be congratulated on the lack of embarrassment they show when, on occasion, they have to wander around stark naked. They may not be sexy but they certainly keep cheerful," wrote The New York Times theater critic Clive Barnes in an otherwise negative review. Barbeau went on to star in more than 25 musicals and plays, including Women Behind Bars, The Best Little Whorehouse in Texas, and Grease. She received a Theater World Award and a 1972 Tony Award nomination for her portrayal of tough-girl Rizzo in Grease. During the 1970s, Barbeau starred as Carol Traynor, the daughter of Bea Arthur's title character, on the comedy series Maude, which ran from 1972 to 1978 (actress Marcia Rodd had originated the role of Carol in a 1972 episode of All in the Family, also titled "Maude," alongside Arthur). In her autobiography, There Are Worse Things I Could Do, Barbeau remarked: "What I didn't know is that when I said [my lines] I was usually walking down a flight of stairs and no one was even listening to me. They were just watching my breasts precede me." During the last season of Maude, Barbeau did not appear in the majority of the episodes. In a 2009 Entertainment Tonight TV interview, Barbeau mentioned that she had good on- and off-camera chemistry with Arthur; she said that the two stayed close until Arthur's death on April 25, 2009. Barbeau and Arthur reunited on camera during a 2007 taping of The View, reminiscing about their long-running friendship and their years as co-stars on Maude. About her relationship with Arthur, Barbeau said in a 2018 interview with Dread Central: "I was doing an interview for this one-woman show that I am doing and the interviewer asked, 'What do people usually ask you,' and I said, 'They always want to know what it was like working with Bea.' She was fantastic and, you know, I realized years later how much I took it for granted because it was my first experience on television. I just assumed that everyone was as giving as she was, as professional as she was, that everyone who was doing a TV show showed up knowing their lines and showed up on time and was willing to say to the writers, 'I think this line was funnier if Adie had said it or Conrad had said it or Bill had said it.' I mean, she was just the best, she was the best, very funny. She was not Maude when she wasn't saying those lines. I don't know if I'd say she was quiet. She was a homebody. She had her sons, her dog and her cooking and she wasn't into the celebrity scene and she was a great lady. I loved her dearly and we had a great cast and they were my family for six years. I loved each of them and all of them and it was the best experience anyone could've had, being introduced to television like that!"