Arunachala Natham Smarami / Saranga / Rupakam / Dikshidar / Sriranjani Santhanagopalan

Krithi: Arunachala Natham Smarami Ragam: Saranga Thalam: Rupakam Composer: Muthuswami Dikshidar Vocal: Sriranjani Santhanagopalan Sriranjani Santhanagopalan is one of the most sought-after musicians in the music arena today. With an arresting voice capable of rendering every embellishment in high speed and slow glides, she is at home in all aspects of her genre, from the weighty Ragam-Tanam-Pallavi to the poignant Bhajan. In a career spanning 15 years, she has performed extensively within India and abroad. Sriranjani also runs a highly successful music school namely “Sriranjani’s Tapasya”. She is the daughter and disciple of musician Sri Neyveli Santhanagopalan, under his guidance she trained rigorously in Carnatic music. Born into music and shaped by varied musical influences, Sriranjani is thoughtful and passionate about her music. Her concerts often feature intricate raga alapanas, precise swarakalpana and meaningful niraval, showcasing her mastery over technical and aesthetic aspects of Carnatic music. She is “A” graded artiste of the All India Radio and has received numerous accolades like "Oustanding Vocalist” and “Best Vocalist” by the Madras Music Academy for the years 2012, 2013, 2014, 2016 and 2019, Kala Ratna, Yuva Purandara, Sangeetha Sthree Mani, Shanmukha Sangeetha Shiromani etc. Violin: M Narmadha Mridangam: Sherthalai R Ananthakrishnan This krithi by Sri Muthuswami Dikṣhidar praises Lord Arunachaleswara of Tiruvannamalai, the embodiment of the Agni (fire) Linga. It highlights that mere remembrance of the Lord, united with Goddess Apitakuchamba, grants liberation, showing that true devotion transcends physical pilgrimage. Dīkṣhidar describes Him as radiant like countless suns, the essence of consciousness and bliss, and the source of boundless compassion. The charaṇam beautifully portrays the Lord as the self-effulgent, transcendental form holding a deer, companion of Aparna, riding the sacred bull, adorned with the Ganga, and surpassing the brilliance of the sun, moon, and fire. The krithi captures the essence of Arunachala as the eternal flame of divine light and consciousness, whose remembrance alone leads to salvation. Pallavi Arunachala natham smarami anisham apIta kuchambA sametam Anupallavi Smaranat-kaivalya prada charanara vindam tarunaditya koti shankasha chidanandam karuna rasadi kandam sharanagata sura brindam Charanam Aprakritha tejomaya lingam atyadbhuta kara dhrta sarangam prameyam aparnabja bhringam aruthothunga vrisha turangam viprothama visheshntarangam vira guruguha tara prasangam swapradipa mauli vidhrtha gangam swaprakasha jita somagni patangam ---------------------------------------------------------------- Meaning: P: I ceaselessly meditate upon Lord Arunachalanatha, who is ever united with Goddess Apitakuchamba (Parvathi, the consort of Arunachaleshwara). AP: He whose lotus feet, when merely remembered, bestow the supreme liberation, who radiates with the brilliance of countless rising suns and is the very embodiment of consciousness and bliss, who is the prime source of the nectar of compassion and ever surrounded by hosts of gods seeking refuge in him. C: He is the transcendental, radiant Lingam, wondrous indeed, holding in his hand the deer as a symbol of his cosmic control; incomprehensible, the bee that hovers around the lotus that is Aparna, His consort; His bull is swift as the wind and glows with a reddish brilliance; the beloved of noble Brahmins, the essence of virtue, and the adored father of the valiant Guha; He bears upon his matted locks the river Ganga, self-luminous as his own light, and his effulgence surpasses the brilliance of the moon, fire, and sun. ---------------------------------------------------------------- DISCLAIMER : These songs have been uploaded for hearing pleasure only and as an archive for Carnatic music. By this I don't wish to violate any copyrights owned by the respective owners of these songs if any. I don't own any copyright of the songs myself. If anything is in violation of the copyright you own, then please let me know, I shall remove it from my Youtube channel.

Karthikeya Gangeya / Thodi / Adi / Papanasam Sivan / Sriranjani Santhanagopalan
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Karthikeya Gangeya / Thodi / Adi / Papanasam Sivan / Sriranjani Santhanagopalan

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What is the most important aspect of a Ragam Thaanam Pallavi concert?

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Sikkil Gurucharan - Arunachalanatham - Saranga

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Sikkil Gurucharan on Musical foundation, Voice and Ilaiyaraaja | VoxGuru

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Lessons from Mahabharata Day 1/3 | New Jersey | Dr Venkatesh Upanyasam

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Arunachalanatham | Saranga | Kruthi Bhat | Karthikai Deepam

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3 தலைமுறை ரசிகர்கள், ரசனை எப்படி மாறியிருக்கிறது? | இசைக்கலைஞர்கள் ரஞ்சனி - காயத்ரி

Arul Seyya Vendum / Rasikapriya / Adi /Koteeswara Iyer /  Sriranjani Santhanagopalan
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Arul Seyya Vendum / Rasikapriya / Adi /Koteeswara Iyer / Sriranjani Santhanagopalan

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Agam's MESMERIZING Rendition of 'Rangapura Vihaara' in The Music Room!

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"DURGA LAKSHMI SARASWATI" - by Sriranjani, Vani and Ananya

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Margazhi Vaibhavam 2025-Day1- 💐 Sangitamum Samskrithiyum 💐

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The Ultimate Jugalbandi ft. Ramana Balachandhran and Anantha R. Krishnan

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