LOUVEMOS AO SENHOR | BANDA CONEXÃO COM DEUS (15 de junho de 2026)

Let us praise the Lord Let us praise the Lord (Let us praise the Lord) Let us praise the Lord Let us worship on His holy mountain Our beloved Father, His name is holy Let us praise the Lord (let us praise the Lord) Let us praise the Lord Let us worship on His holy mountain Our beloved Father, His name is holy Let us praise the Lord, for His name is holy (for His name is holy) Let us praise the Lord, for His name is holy (for His name is holy) Let us magnify the Lord To the King who is worthy of praise Exalted, supreme and most worthy of praise Exalted, supreme and most worthy of praise Hosanna (hosanna) hosanna (hosanna) hosanna to our King Hosanna (hosanna) hosanna (hosanna) hosanna to our King Christ is our life, the reason for praise In our new heart For Our death died So that we might live His life He brought us great salvation Christ is our life, the reason for praise In our new heart For our death died So that we might live His life He brought us great salvation Hosanna (hosanna) hosanna (hosanna) hosanna to our King Hosanna (hosanna) hosanna (hosanna) hosanna to our King INFORMATION ABOUT THE SONG “Let Us Praise the Lord” is one of the best-known songs in the congregational worship repertoire in Brazil, especially marked by the recording and the Portuguese version associated with the ministry of Adhemar de Campos. The version sung in Portuguese became known as a worship medley, bringing together moments such as “Let Us Praise the Lord”, “Let Us Magnify”, “Hosanna” and “The Reason for Praise”. Its structure leads the church from a call to praise to a Christ-centered confession: Christ is presented as the reason for praise, the one who died our death to give us life and salvation. An important point of interest is that the Brazilian version arises from a dialogue between international hymns linked to Integrity Music and the authorial contribution of Adhemar de Campos. According to publishing records and music licensing databases, the authorship credits involve Adhemar de Campos, Daniel Gardner, and Todd Pettygrove. The Portuguese tradition was consolidated by Adhemar, who adapted the material to the context of the Brazilian church and added "O Motivo do Louvor" (The Reason for Praise), giving the medley a strong congregational and Christ-centered identity. Originally recorded in the context of the album "Fruto dos Lábios" (Fruit of the Lips) in 1988, the song has crossed generations and continued to be re-recorded in different projects, remaining alive in the repertoire of many Christian communities. Its strength lies in its simplicity, congregational repetition, and the centrality of God's holiness and Christ's redemptive work. In this performance, the Conexão com Deus Band, at the Pinheiros Presbyterian Church, revisits this classic of Brazilian Christian worship, recognizing God as holy, worthy of praise, and the center of church life. TECHNICAL SHEET Performance: Conexão com Deus Band. Vocals: Marquinhos, Lúcia Minicz, Núbia, Ester Guitar: Marquinhos Drums: Marcelo Minicz Bass: Dejalma Santos Keyboard: Heyser Guitar: Samuel Cintra Recording: Alisson Mastering: Alisson Mixing: Samuel Cintra Images: Pinheiros Presbyterian Church, June 15, 2026 Copyright credits informed according to editorial records and music licensing databases.