Dia Al-Azzawi – 'The World is a Small Village' | Artist Interview | TateShots
Dia Al-Azzawi is one of Iraq's most influential living artists. Having moved to the UK in 1976, Al-Azzawi found that by viewing Iraq from afar, he could understand more about Iraqi and Arabic culture than if he had remained. Al-Azzawi's vast drawing Sabra and Shatila Massacre 1982--3 is an example of work that arose from this process of observation. Made in response to the 1982 massacre of Palestinian refugees in Beirut by Christian Lebanese Phalangists, the killings took place over several days in refugee camps kept under guard by the Israeli Defence Force. Al-Azzawi explains how working from imagination, he delineated the scenes of chaos and horror in a semi-abstract style to create a work that is not a propaganda piece, but which documents a tragedy.

A Conversation with Dia al-Azzawi–On Calligraphy as Inspiration, 1960s Iraq, and the US Invasion

Maggi Hambling – 'Every Portrait is Like a Love Affair' | Artist Interview | TateShots

Curator's Introduction to Dia al-Azzawi: Painting Poetry

Marina Abramović Interview: Advice to the Young | Louisiana Channel

Dia Azzawi | عراقيون - مقابلة مع ضياء العزاوي

Ibrahim El-Salahi – The Inevitable | TateShots

Schulterblick: Mehmet Güler - boesner.tv

William Kentridge – ‘Art Must Defend the Uncertain’ | Artist Interview | TateShots

Studio Visit with Artist Sara Shamma | Christie's

Talk to Al Jazeera - Iraq and the art of war

Artist Anna Boghiguian: If You Don't Belong, You Belong to Yourself

Wolfgang Tillmans – 'What Art Does in Me is Beyond Words' | Artist Interview | TateShots

Tamayouz launches the Dia Azzawi Prize for Public Art

Inside ceramicist and artist Joan Gardy-Artigas's farmhouse studios

When Animals Surprise Photographers in the Sweetest Way! 😍

المشاء- عالية الفارسي.. لوحة إطارها الأفق

Carl Andre – 'Works of Art Don't Mean Anything' | TateShots

Milan Art Institute / Studio Vlog / Truth About the Mastery Program

Being An Artist Is Lonely - Dr. Ken Atchity

