Juana Molina: The Evan Toth Interview, 8/16/22

Nobody likes to be pigeonholed; we all have different aspects to us that we’d like to be appreciated for. Life is short, and even though it takes a long time to become a master at something, there’s still time to become recognized for something else. Juna Molina comes from a family of artists and entertainers and was one of the most widely recognized comediennes in her home country of Argentina. Even with that success, she still yearned to explore her musical interests. As is often the case with entertainers who switch tracks during their careers, the public who adored her for her comedy skills was not so sure about following her on this musical journey. However, Juana persisted and soon enough - after discovering her excellent second album Segundo - David Byrne invited her to be the opening act on one of his North American tours and the rest was history. Juana is now an internationally respected musician specializing in experimental electronic indipop music. While she and I talk about all of these things, we’re really here to discuss her label’s efforts in reissuing an album that was important to a young Juana. Originally released in 1971, Musicasión 4 1/2 is a rare LP which was released in Uruguay and it features recordings of a series of performances by a group of artists who mixed theatrics, poetry, and improvised stage effects with rock and Latin American rhythms. During the pandemic, Juana reconnected with an old friend who had recently been given access to unreleased and rare recordings of the same musicians on the original album. Juana knew that the time was right for her new record label Sonamos to reissue the album and give it the 50th anniversary it rightly deserved. So, join me and Juana - who joins me from Argentina - to discuss her career, Musicasión 4 1/2 and how it’s never too late to change the trajectory of your life, as long as you allow yourself to follow your heart’s true passions.