I Tried Ignoring the MPC Live III Retro… then this happened | RAW FLIPS

NEW RAW FLIPS IS LIVE. A lot of you have been asking for a better look at the process. This time, I listened. For this episode of RAW FLIPS, I added an overhead camera angle so you can actually see what’s happening on the MPC while I work. You’ll get a much clearer view of the chops, sequencing, pad work, and all the little decisions that happen while a beat comes together. And for the first time in a RAW FLIPS video, you’re hearing direct audio from the MPC Live III Retro. No camera mic. No room noise. No guessing what the beat actually sounds like. Just the machine and the music. This is probably the closest I’ve come to bringing you into the studio while I’m creating. No tutorials. No polished performance. No pretending every idea is a masterpiece. Just a sample, an MPC, and wherever the music decides to go. You may notice a few blurred-out sections throughout the video. That’s because there are some unreleased plugins and a few unreleased sample packs on screen that aren’t ready for the public yet. So a few visuals had to be censored to protect the innocent… …or the guilty. Either way, there’s some heat coming. If you’re into MPC workflows, sample chopping, boom bap production, beat making, music production, and seeing the real creative process without the fluff, I think you’re going to enjoy this one. Drop a comment and let me know what you think of the overhead camera angle and direct audio setup. If this is the direction you want RAW FLIPS to go, I’ll keep pushing it further. Thanks for watching and supporting the channel. Every view, comment, like, and subscription helps me keep making these videos and sharing the process. 🔥 Subscribe for more RAW FLIPS, sample-based production, MPC content, beat making videos, gear deep dives, and behind-the-scenes looks at how the records get made. ‪@Akai_Pro‬ #makingbeats #akaipro #akaimpc #boombapbeats #choppingsamples