Harmonic Cycles - C Major - Strings 345

Welcome to the third episode of our series on harmonic cycles! After laying the groundwork in the previous videos, today we are diving deep into a crucial string set for rhythm playing and comping: the 3-4-5 string set (G, D, and A strings). We will map out this set by focusing entirely on the key of C Major, working on triads in both close and open voicings. Even on this specific set, the secret to unlocking the fretboard lies in the strict application of our two geometric rules within the major scale: The 2 Fundamental Rules -If there are common notes (Cycles of 3rds, 4ths, 5ths, 6ths): the notes shared between the two chords must remain strictly stationary on the same fret/string.Example: Moving from C Major (C - E - G) to E minor (E - G - B), the E and G notes stay exactly where they are, while the C moves down to B. -If there are NO common notes (Cycles of 2nds and 7ths):the ironclad rule is to avoid parallel motion. Instead of moving everything in the same direction (e.g., from C-E-G straight up to D-F-A), you must use contrary motion. This forces your hand to visualize and transition through every single inversion of every chord in the key before returning to the start.Mastering the 3-4-5 string set in C Major will give you total control over the mid-low register of the guitar, which is perfect for sitting beautifully in a mix or a band context. 🎸 Happy practicing! Let me know in the comments how you're doing with this specific string set. Subscribe to the channel and hit the bell icon so you don't miss the upcoming seventh-chord videos! #guitar #guitarlessons #harmoniccycles #chordinversions #guitartheory #cmajor