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Eva Hesse's Materials

SFMOMA conservator Michelle Barger discusses Hesse's work, "Aught," and considers the artist's use of latex. And in an archival interview, Hesse offers her perspective on impermanence in art. See more videos at http://www.sfmoma.org/video

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The Afterlife of Eva Hesse’s “Expanded Expansion”
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The Afterlife of Eva Hesse’s “Expanded Expansion”

Making of Bubble Cluster
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Making of Bubble Cluster

Eva Hesse: Studiowork at Fruitmarket 05.08.09 – 25.10.09
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Eva Hesse: Studiowork at Fruitmarket 05.08.09 – 25.10.09

Sculpture Forum 64: Eva Hesse - Five Sculptures
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Sculpture Forum 64: Eva Hesse - Five Sculptures

eva hesse
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eva hesse

Eva Hesse 1965
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Eva Hesse 1965

See how Eva Hesse’s sculpture changed the face of minimalism
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See how Eva Hesse’s sculpture changed the face of minimalism

Sol LeWitt Interview
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Sol LeWitt Interview

Inside Designer Tory Burch’s Paris Home, Filled With Wonderful Objects | Vogue
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Inside Designer Tory Burch’s Paris Home, Filled With Wonderful Objects | Vogue

BIG- building large scale in clay
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BIG- building large scale in clay

Bob Dylan Reveals Why He NEVER Does Interviews! | tribuune.
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Bob Dylan Reveals Why He NEVER Does Interviews! | tribuune.

Eva Hesse - Life doesn’t last; art doesn’t last
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Eva Hesse - Life doesn’t last; art doesn’t last

Step inside Magdalena Abakanowicz's forest of woven sculptures | Tate
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Step inside Magdalena Abakanowicz's forest of woven sculptures | Tate

Andy Goldsworthy – 'We Share a Connection with Stone' | TateShots
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Andy Goldsworthy – 'We Share a Connection with Stone' | TateShots

Ruth Asawa: documentary on an artist who worked every minute | HOW TO SEE
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Ruth Asawa: documentary on an artist who worked every minute | HOW TO SEE

Symposium: Eva Hesse ‘Looking Back at a Voice for the Future’
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Symposium: Eva Hesse ‘Looking Back at a Voice for the Future’

„Die meisten Bilder sind nichts wert“ – Beltracchi über die Kunstwelt
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„Die meisten Bilder sind nichts wert“ – Beltracchi über die Kunstwelt

'Entangled: Threads & Making' Female Artists and Relationships with Material | Turner Contemporary
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'Entangled: Threads & Making' Female Artists and Relationships with Material | Turner Contemporary

I taught an octopus piano (It took 6 months)
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I taught an octopus piano (It took 6 months)

Interview with Agnes Martin (1997)
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Interview with Agnes Martin (1997)

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