LOVEBITES MIYAKOさんと初めてお話しました。大阪・横浜全公演行ってきたレポート

オフィシャルアーティストブック 『Miyako』 https://amzn.to/4t39wTJ MiyakoバースデイTシャツ2026受付開始 / Pre-sale of the Miyako Birthday T-shirt 2026 begins https://www.jvcmusic.co.jp/-/News/A02... Miyako (LOVEBITES) 2026 Birthday Goods https://stagegear.jp/myk2026bd 5月5日まで OUTSTANDING TOUR - JAPAN 2026 https://ticket.rakuten.co.jp/features... OUTSTANDING TOUR - EU/UK 2026 Confirmed https://www.jvcmusic.co.jp/-/News/A02... 5thアルバム Outstanding Power https://lovebites.jp/Linkall/outstand... https://victor-store.jp/artist/4611 Fami主催ソロ・ライブ『はっぴぃばぁすでぇ・らいぶ2026』 LvUP with Midori 2026 https://www.jvcmusic.co.jp/-/Live/A02... 映像作品観るなるMetaQuest3が圧倒的!! MetaQuest3 https://amzn.to/4afCb1X MetaQuest3s https://amzn.to/4q60OTn --- In this video, I’m sharing my thoughts on *MIYAKO’s “Blooming Notes Notes 2026.”* This piano recital series has been held every year since 2023, but in 2026 it expanded even further with additional Osaka shows, making it a total of four performances across day and night programs. What made this year especially interesting was the structure: *the daytime show was a solo recital by MIYAKO, while the evening show was a dual-piano concert with mao.* Because of that, it really felt like you needed to experience both to fully understand the event. This was actually my first time attending MIYAKO’s recital, and I decided to go all in by attending all four performances in both Osaka and Yokohama. Looking back, it was a bit crazy, but it also allowed me to experience the full range of what this event had to offer. One of the most striking things was how different the atmosphere felt between **Osaka and Yokohama**. Osaka’s Phoenix Hall had a very intimate and warm feeling, helped by the unique venue itself and the way the outside scenery blended into the space. MIYAKO also seemed especially relaxed there, and the entire mood felt more personal and home-like. Yokohama, on the other hand, felt more formal and structured, like a hall where both performer and audience naturally shifted into a more focused “serious listening” mode. Even with the same setlist, the emotional impression changed depending on the city and venue, which I found fascinating. The daytime performances were centered around MIYAKO’s solo works and created a calm, immersive atmosphere. The evening performances, by contrast, brought a much more dynamic and powerful sound through the two-piano arrangement. Hearing LOVEBITES-related material transformed in that format was especially memorable. There were moments when I found myself thinking, “It’s amazing that piano alone can sound this massive.” Another highlight was the **Q&A corner**. The tone and nuance of MIYAKO’s answers seemed slightly different between Osaka and Yokohama, which made each show feel unique. In the Yokohama evening performance, there was also a **birthday surprise**, and that turned the event into something even more special for the audience. For me personally, one of the biggest moments was finally getting to **speak with MIYAKO for the first time at the signing session**. I originally became interested in her through YouTube Shorts, and from there I gradually fell deeper into LOVEBITES as a whole. So being able to meet her in person and express my gratitude felt like reaching an important milestone. To be honest, I was so nervous that I don’t remember every detail of the conversation clearly, but the fact that I was able to thank her directly means a lot to me. At the same time, attending all four performances and multiple signing sessions also made me realize something important: while the concerts themselves were wonderful, the post-show signing flow made it a little difficult to quietly stay in the afterglow of the performance. That’s not necessarily a bad thing, but it did make me think more carefully about how I want to experience future events and what kind of distance feels right for me as a fan. Still, my overall conclusion is simple: *I’m really glad I attended all four performances.* Being able to fully immerse myself in MIYAKO’s piano over two intense days, to feel the differences between the venues, and to finally speak with her in person made this a truly unforgettable experience. In this video, I talk honestly about all of that—what moved me, what surprised me, and what I learned from attending Blooming Notes Notes 2026 in full. If you were there too, I’d love to hear your thoughts in the comments. And if you’re interested in MIYAKO’s recitals or considering attending in the future, I hope this video gives you a helpful sense of what the experience is like. #LOVEBITES #reaction #OutStandingPower