Pierre Boulez - Messagesquisse (for solo cello and 6 cellos)
Work introduction Without Paul Sacher, one could succinctly say, the history of music in the 20th century would look very different. In 1926, the Swiss conductor and patron of music founded the Basle Chamber Orchestra to perform new music and, in 1933, the renowned Schola Cantorum Basiliensis as a teaching and research centre for ancient music; but most importantly he commissioned more than 100 compositions and led over 200 world premieres during his active musical life. The most important of these, created at his instigation, include Béla Bartók’s Music for Strings, Percussion and Celesta, Corale by Luciano Berio, Paul Hindemith’s symphony Die Harmonie der Welt, Arthur Honegger’s Second and Fourth Symphonies, Igor Stravinsky’s Concerto en re and the Metamorphosen by Richard Strauss, as well as works by Boris Blacher, Richard Rodney Bennett, Alfredo Casella, Ernst Krenek, Rolf Liebermann and Sir Michael Tippett. Paul Sacher turned 70 in 1976; for the occasion, Mstislav Rostropovich asked 12 renowned contemporary composers to write a piece for violoncello. Messagesquisse [“Sketched Message”] for solo cello and six violoncellos is the work Boulez contributed to congratulating Sacher. He added a foreword to the score to express his intentions: Messages are often secretly hidden Music has this advantage: It dispenses with words, The messages are essentially personal, decoded by everyone according to the time. A cipher – symbolic (reduced) Notes – symbolic (multiplied) Rhythms – symbolic (split up) in order to add a certain number of messages, diverse, divergent, in order thus to let some emotions to pass by, certainly not symbolic ones. The violoncello is the instrument of choice, alone, exclusively able to reflect itself, able to grow out of itself. Is a conductor necessary? Perhaps, to gain time – as always! Only the metronome marks are missing, but who cares about the Possible when one wants the Impossible? This manuscript Dear Paul Is just as much testimony as it is a message … Testimony to the cordial bonds made over all the years by you to me With deep and faithful affection. Pierre Boulez Salzburg Easter Festival 2001

Pierre Boulez at 100

Daniel Barenboim in conversation with Pierre Boulez

Nicholas E. Ballen: Wind Quintet in E-Flat Major (Op. 28)

Boulez - Messagesquisse (1976/1977) for cello solo and 6 violoncelli

Penderecki - Threnody (Animated Score)

SIBELIUS, L.- Violin Concerto in D minor, Op 47 (David OISTRAKH / Rozhdestvensky)

Kaija Saariaho - Lichtbogen (1985-86) for nine musicians and live electronics

Composition Workshop - Lesson 7 (Boulez - Part I)

They Expected This Boring.. Until He Started Playing The Cello! (He's Only 14!)

Schoenberg: Verklärte Nacht, Op.4 - Boulez.

You Know This Song (but the Orchestra Doesn’t) | Jacob Collier & VSO School of Music Orchestra | TED

Iannis Xenakis - Pithoprakta (w/ graphical score)

BOULEZ : Messagesquisse

Pierre Boulez' Deuxième Sonate: Analysis

Arnold Schoenberg : Transfigured Night (Verklarte Nacht) op.4 directed by Pierre Boulez

Flute Concerto - Elliott Carter

Saariaho: Sept Papillons for Solo Cello

Pierre Boulez, sur Incises - Ensemble intercontemporain

Classical Music for People Born in the Wrong Century

