From the African 6:8 rhythm to the American shuffle
In April 2011, Wynton Marsalis launched “Hidden in Plain View: Meanings in American Music,” a three-year performance and lecture series at Harvard University. The six lecture series began with “Music as Metaphor,” an interpretation of the many unobserved symbols in American music and their illumination of the democratic process, and featured performances by Marsalis alongside Ali Jackson (drums), Dan Nimmer (piano), Walter Blanding (tenor sax), Carlos Henriquez (bass), James Chirillo (guitar and banjo), and Mark O’Connor (violin).

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How the rhythm section swings

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The evolution of the trap drum set

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The two-beat groove

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ANASTACIA – LIVE AT THE SYMPHONY conducted by ANTHONY GABRIELE (NOT THAT KIND)

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Syncopation: expect the unexpected

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Judy Carmichael at Steinway Hall 11/19/19 Jazz Inspired Night!

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This Indian Rhythm Will Help Your Odd Time Drumming (Sarah Thawer Lesson)

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The Role of Rhythm Guitar in a Big Band

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counting to 7 has never been so hard

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1986: How to Spot the Upper Class | That's Life! | BBC Archive

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Jazz Hot (1938) The Rare Short Film With Jazz Legend Django Reinhardt

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Jazz as democratic discourse

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Why Aliens Would NEVER Invade Africa

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What's the difference between 3/4 and 6/8 time?

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time signatures 1/1, 2/2, 3/4, 4/4, 5/4, 6/8, 7/4, 8/8, 9/8, 10/4, 11/2, 12/8, 13/16 & 14/8 exposed

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6/8, 12/8 (ternary) African, Afro Cuban cowbell patterns, 19 bell rhythms

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Funkifying the Clave Afro Cuban Grooves For Bass And Drums

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Wynton at Harvard, Chapter 20: Blues Fundamentals

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The meaning of swing

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