ECE4450 L26: Sallen-Key Filters & the Korg MS-20 VCF (Analog Circuits for Music Synthesis)

MAJOR CORRECTIONS: 1) In the schematic shown at 13:45 and again at 28:37, the inputs of the first OTA need to be switched. The positive input should be grounded and the other connections should be going to the negative input. 2) Around the 12:15 mark, I switch feedback paths so that they're taken from the output of the buffers instead of the input. This only works for the SECOND OTA output, since the current from the OTA is going through Cg. I should have left the FIRST OTA alone, since the current from the OTA needs to go through Cf. The error persists through the 14:35 mark, and appears again at 28:37. Support this channel via a special purpose donation to the Georgia Tech Foundation (GTF210000920), earmarked for my work:    • [OLD] Support This Channel via a Special P...   I recorded this during the Spring 2021 offering of ECE4450: Analog Circuits for Music Synthesis, but this material will likely be appropriate for future offerings as well. Be sure to check out Alex Ball's amazing Daft Punk synth tutorial, featuring the Korg MS-20:    • Daft Punk Synth Tutorial  

ECE4450 L27: Buchla Lowpass Gates (Analog Circuits for Music Synthesis, Georgia Tech course)
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ECE4450 L27: Buchla Lowpass Gates (Analog Circuits for Music Synthesis, Georgia Tech course)

ECE4450 L22: Moog Ladder Filters Analyzed (Analog Circuits for Music Synthesis, Georgia Tech course)
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ECE4450 L22: Moog Ladder Filters Analyzed (Analog Circuits for Music Synthesis, Georgia Tech course)

Soundforce DUAL FILTER / Threetommodular STEVE'S MS-22 / feature rundown / comparison
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Soundforce DUAL FILTER / Threetommodular STEVE'S MS-22 / feature rundown / comparison

The KORG MS10 IS THE BEST SYNTH.. better than the MS20 (in my opinion :O.).
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The KORG MS10 IS THE BEST SYNTH.. better than the MS20 (in my opinion :O.).

How are FM Waves Generated?
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How are FM Waves Generated?

The Ultimate Op-Amp Comparison - Bandwidth, Slew Rate, Frequency Response, CMRR & More!
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The Ultimate Op-Amp Comparison - Bandwidth, Slew Rate, Frequency Response, CMRR & More!

Op Amps: State Variable Filter
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Op Amps: State Variable Filter

When You NEED a Preamp | And When You Absolutely DON'T!
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When You NEED a Preamp | And When You Absolutely DON'T!

ECE4450 L19: Single-Pole OTA-C Filters (Analog Circuits for Music Synthesis, Georgia Tech  course)
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ECE4450 L19: Single-Pole OTA-C Filters (Analog Circuits for Music Synthesis, Georgia Tech course)

Lecture #7 Korg MS-20 Sample & Hold: Fully Explained!
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Lecture #7 Korg MS-20 Sample & Hold: Fully Explained!

ECE4450 L12: Voltage Controlled Oscillators: Triangle Cores; Buchla 259 (Analog Circuits for Music)
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ECE4450 L12: Voltage Controlled Oscillators: Triangle Cores; Buchla 259 (Analog Circuits for Music)

ECE4450 L21: Four-Pole Filters with Feedback: OTA-C Examples (Analog Circuits for Music Synthesis)
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ECE4450 L21: Four-Pole Filters with Feedback: OTA-C Examples (Analog Circuits for Music Synthesis)

The Scariest Chart in Electrical Engineering
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The Scariest Chart in Electrical Engineering

Op-Amp Golden Rules & Designing An Active Filter!
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Op-Amp Golden Rules & Designing An Active Filter!

Configure Your OTA The Easy Way - Operational Transconductance Amplifier Setup - Simply Put
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Configure Your OTA The Easy Way - Operational Transconductance Amplifier Setup - Simply Put

Nobody Explained the Schrödinger Equation Like THIS!
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Nobody Explained the Schrödinger Equation Like THIS!

The Challenger Explosion Was So Much Worse Than You Think
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The Challenger Explosion Was So Much Worse Than You Think

ECE4450 L18: Exponential Voltage-to-Current Conversion & Tempco Resistors (Analog Circuits 4 Music)
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ECE4450 L18: Exponential Voltage-to-Current Conversion & Tempco Resistors (Analog Circuits 4 Music)

The DAC Jitter Debate: Separating Hype from Reality
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The DAC Jitter Debate: Separating Hype from Reality

Op Amps: Multiple Feedback Bandpass Filter
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Op Amps: Multiple Feedback Bandpass Filter