【楽に獲れる金賞】マーチを読み解く① 吹奏楽コンクール課題曲

Every year, the release of a digest of the required pieces for the wind orchestra competition causes a stir in the wind orchestra community, but there's no need to panic. The required marches are generally set in stone every year. This means that the techniques for performing and teaching marches can be applied to any piece. This time, we'll cover approximately 100 points over multiple installments, using past required pieces as models. Chapters 1:45 The opening note is especially crucial in marches, and modern marches! 3:16 Embedding a whole-tone descending progression in the bass 3:54 Dealing with common woodwind figures in marches 6:39 Important tips for when the same notes continue! 9:10 The relationship between bass and percussion 10:20 Pay attention to the first low note! 11:09 Tips for making the off-note of the first theme easier to listen to 11:55 The difference: setting and sharing pivot points 15:40 How do you handle leaps that create a sense of freedom? 16:32 Things the bass section often overdoes, but it's a waste 17:31 Things the bass section should do to win the gold medal 19:23 Should we use rotary trumpets in wind orchestras too? lol 20:11 What if the chord section is small? Read the score! 20:51 A discussion of the secondary melody, "Changing the flavor of Taiwanese mazesoba with vinegar" 22:26 Subdominant minor and vibrato 23:46 A common theme performance trope used by silver-winning schools 18:13 That was me! Please forgive me for adding a flat note without permission. 🙏 From the Brass Band School in Nagoya 2022 Compulsory Piece: March "Blue Spring" by Masafumi Suzuki Please request music analysis for competitions, both compulsory and free pieces, as soon as possible! Please feel free to comment with any questions or requests. Subscribing and liking our channel is also very encouraging. Thank you! 😊 [Brass Band Conductor & Instructor Ryutaro Horie] Official Website: http://brass.monster   / ryutaro.horie     / maestro_brass   https://x.com/RyutaroHorie   / maestro.brass   Profile: Conductor, composer/arranger, and brass band instructor. Graduated with honors from Tokyo University of the Arts High School, the University of Music Leipzig, and the University of the Arts Berlin Graduate School. Certified German State Performer. He has been a full-time instructor at the German State Music School, a soloist at the Menuhin Foundation, a contract member of the Nordhausen Opera House, and a guest conductor with numerous symphony orchestras both in Japan and abroad, including the Tokyo Kosei World Orchestra and the Gewandhaus Orchestra, and has performed in over 3,000 concerts. He is also the music director of the Hokkaido Tokachi Shimizu Wind Orchestra. He guest conducts, judges competitions, teaches at schools, and gives private lessons both in Japan and abroad. Wind band teaching experience: He has taught at over 70 schools nationwide, including junior high schools, high schools, and universities. He has also taught wind bands and high schools in Taiwan, and given private and group lessons in China and Korea. He also provides online lessons in remote locations, and composes and arranges for guest conducting and ensemble contests. He is currently hosting open wind band workshops and wind band seminars across the country. Click here for the latest schedule: http://brass.monster If we receive many requests for events, we may be able to hold one in your town. We also co-host with public wind bands. Please let us know your thoughts by filling out this survey: https://forms.gle/7gBNp99iwDGm6c5t7