Why Anamorphic Lenses Used to Be Massive – And How Atlas Made Them Small

Why were old anamorphic lenses so enormous and how did modern anamorphic lenses become compact enough for cameras like the Sony FX3 and DJI Ronin 4D? In this episode of CineTalk, cinematographer and Atlas Lens Co. co-founder Dan Kanes breaks down the full evolution of anamorphic lens design. From early CinemaScope Baltars and Henri Chrétien’s Hypergonar to Soviet Lomo lenses, Kowa anamorphics, and modern Atlas Orion and Mercury lenses. This conversation explores the technical and artistic compromises behind lens size, distortion, squeeze ratios, coverage, and optical character. 🎧 Watch the full podcast episode here: https://cineproacademy.com/checkout/n... If you’re passionate about cinematography, camera operating, or filmmaking in general, check out CinePro Film School - a growing platform where working industry professionals teach real on-set skills: lighting, cinematography, camera operating, production sound, VR180 filmmaking, producing, and more. Learn at your own pace and level up your craft: https://cineproacademy.com/