Performance Art as Spectator & Participant
Hello! Today I discuss Claire Bishop’s book, “Artificial Hells, Participatory Art & the Poltiics of Spectatorship” where she discusses how reactionary art is authentic for its spontaneity and inseparable nature of current context. What does it mean to be both a spectator and a performer in the digital age of content with rising trends of Twitch live streams and TikTok street interviews?
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Art in the AI Bubble: Guns, Fences, and the Farm Crisis
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Situationist Movement: the myth of the creative director
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Marina Abramović on Climaxing for Art and the Power of a Yamamoto Suit | Fashion Neurosis
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Art in the Consumer Debt Crisis: Klarna, Abercrombie & Fitch, Christine Sun Kim
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Japanese Design: Yūgen, Kanso & Datsuzoku
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Franco Bifo Berardi & Claire Bishops on Attention
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no wonder he disappeared from hollywood
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The death of good taste
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balance & sacrifice / art & time
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critical thinking crisis: the effects on movies, social media & information
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'I always felt like I was remembering something that was in my soul.' | Kara Su Timestamp
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The Left is Eating Itself While the Rich Cosplay Poverty
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The Reality of the Art Girlfriend Finance Boyfriend Trope: Gentrification & Its Correlation to Art
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How Do You Own Movement? Alysa Liu to Martha Graham
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Trump Attends NBA Finals, Cries Election Fraud in California & Storms Out of Interview
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Why I Hate Found Object Art
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explaining Clavicular’s diabolically long list of crimes if you’re employed and wanna know the tea
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La double vie d'Hilma af Klint - Peintre et pionnière de l'art abstrait | ARTE
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Beer, software, and Internet Art
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