Shooting ‘Train Dreams’ with All Natural Light in 3:2 Aspect Ratio on Alexa 35
Adolpho Veloso the cinematographer of Clint Bentley's Netflix film 'Train Dreams' breaks down capturing the world of loggers at the turn of the century. Shooting almost entirely in natural light throughout Washington state, the camera team captured breathtaking imagery in a 3:2 aspect ratio on the Alexa 35. ➡️Watch more of the industry's best cinematographers break down their work: • Inside the Frame | Variety Join Variety to get access to members-only perks: / @variety Subscribe to Variety on YouTube: / @variety Subscribe to Variety Events on YouTube: / @varietyevents Connect: / variety / variety / variety

▶︎
Clint Bentley Reveals How a 29 Day Shoot Created the Perfect Ending for “Train Dreams”

▶︎
'Bugonia' Cinematographer on Shooting VistaVision with Lenses Used on 'One Battle After Another'

▶︎
Bountiful - The Making Of

▶︎
Something is jamming GPS over Europe. Here's what we found

▶︎
Why Hollywood Movies Look So Good

▶︎
How Greig Fraser Created the Epic "Dune" Sun with Creamsource Vortex

▶︎
Alex Honnold Breaks Down Iconic Rock Climbing Scenes | GQ Sports

▶︎
15 Tips for Better City Photography

▶︎
The Power of the Lens – Focal Length in Visual Storytelling – Masterclass & Reference Guide

▶︎
How to light day exteriors

▶︎
'Sinners' Oscar Winning Cinematographer Breaks Down Center Framing for IMAX

▶︎
elevate your handheld camera skills with these 5 tips.

▶︎
How 'One Battle After Another' Shot the Car Chase Scene Like a Gritty '70s Film

▶︎
Train Dreams Explained: How Grief, Nature and Time Get the Best of Us

▶︎
Why New Movies Are So U-G-L-Y

▶︎
Cinematographers Compare Their Styles and Reveal Their Process | Craft Roundtables

▶︎
You've Never Seen a Real Photo

▶︎
The Myth Of 'Natural Light' In Movies

▶︎
Brad Pitt Destroys The Rookie Scene | F1 (2025) Movie CLIP 4K

▶︎
