Shooting ‘Train Dreams’ with All Natural Light in 3:2 Aspect Ratio on Alexa 35
Adolpho Veloso the cinematographer of Clint Bentley's Netflix film 'Train Dreams' breaks down capturing the world of loggers at the turn of the century. Shooting almost entirely in natural light throughout Washington state, the camera team captured breathtaking imagery in a 3:2 aspect ratio on the Alexa 35. ➡️Watch more of the industry's best cinematographers break down their work: • Inside the Frame | Variety Join Variety to get access to members-only perks: / @variety Subscribe to Variety on YouTube: / @variety Subscribe to Variety Events on YouTube: / @varietyevents Connect: / variety / variety / variety

▶︎
Train Dreams | Cinematographers Adolpho Veloso & Lol Crawley | Netflix

▶︎
How Greig Fraser Created the Epic "Dune" Sun with Creamsource Vortex

▶︎
Being a Projectionist for The Odyssey in 70mm

▶︎
Cinematographers Compare Their Styles and Reveal Their Process | Craft Roundtables

▶︎
Spielberg's 3 Editing Tricks That Rewire Your Brain

▶︎
How to light day exteriors

▶︎
'Oppenheimer' Oscar Winning Cinematographer Hoyte van Hoytema Breaks Down Filming in IMAX B&W

▶︎
"Phantom Thread" Camera Tests with Paul Thomas Anderson Commentary

▶︎
How Scott Secco Makes Small Budgets Look High-End

▶︎
3 Lessons from a MODERN MASTERPIECE.

▶︎
Roger Deakins on How to Choose a Camera Lens — Cinematography Techniques Ep. 8

▶︎
TRAIN DREAMS | DP Adolpho Veloso, ABC, AIP | Shot Talk

▶︎
The Myth Of 'Natural Light' In Movies

▶︎
Tom Cruise talks about cinematography

▶︎
How IMAX 70MM Film is Projected!

▶︎
How did they make this?

▶︎
Clint Bentley Reveals How a 29 Day Shoot Created the Perfect Ending for “Train Dreams”

▶︎
How 'One Battle After Another' Shot the Car Chase Scene Like a Gritty '70s Film

▶︎
How To Get a Cinematic Image at f5.6 - (NOT Shallow Depth of Field)

▶︎
