Pentagram - Bir (2002) | Buram Buram, Ilgıt Ilgıt, Bu Topraklardan BİR Albüm

Hello dear friends. In today's world, they're all the same, all the same... I hope you enjoy it. --- ✪ To become a Music Makers Institute member:    / @maliakpolat   ✪ To join Guitar Tone Lab: https://patreon.com/maliakpolat?utm_m... --- ✦ OTHER VIDEOS: ► Mods Class:    • Masterclass: MODLAR   ► Everlong:    • BU NASIL RIFF, NASIL TON KRAL! | Everlong'...   --- ► FOLLOW ME: ☞ Instagram:   / maliakpolat   ☞ Patreon: https://bit.ly/3UGokrI ☞ Private Lessons and Mix & Mastering: https://www.maliakpolat.com --- 00:00:00 Introduction and opening attempts to the Pentagram - Bir (2002) album review 00:01:40 Live recording process at Sierra Studios in Athens and the connection with Unspoken 00:03:15 6-month rehearsal period in a wedding hall and the 2001 economic crisis 00:04:06 The album's technical crew, legendary musician lineup, and tracklist 00:05:30 Membership announcements and Music Makers Institute (MMI) announcement 00:07:08 Analysis of the track "Tigris" and Middle Eastern-Mesopotamian influences 00:11:01 The song "Bir," stage memories, and the sublime in music Feelings 00:13:45 Experiment with EQ changes in guitars and the trick of highlighting vocals 00:15:53 ​​The joke about "Jesus, Moses, Muhammad, and this too" in the lyrics and a nod to Ozan Akyol 00:18:23 Attempt to imitate Metin Türkcan's signature solo and the use of the wow pedal 00:20:03 Tarkan Gözübüyük's memory of playing bass while looking into his eyes at the concert 00:21:24 "Where is the Devil in This?" (Aşık Dertli) and thrash metal influences 00:26:39 The song "You Are the One Who Sees This World" (Aşık Veysel) and Hakan Utangaç's vocals 00:33:30 Phone call with Tarkan Gözübüyük and additional information about the album 00:35:44 Analysis of the song "Mezarkabul", the band's international name and modal riffs 00:44:56 The song "Sır", The meaning of the lyrics and the festival history of the metal music scene 00:52:56 The song "Kam," the adaptation of the bağlama style to the guitar, and an analysis of Dorian mode 00:56:32 The concept of "Kam" in shamanic belief and making metal by understanding Turkish music 01:00:15 The song "Ölümlü," its irregular rhythm structure, and Murat İlkan's vocal performance 01:05:53 The lament "For Those Who Die Alone" (FTWDA), Ümit Yılbar's interpretation, and the miracle of two chords 01:16:04 Pentagram's place in Turkish rock-metal history and closing --- #Pentagram #Bir #maliakpolat