เพลงชนก 04 / จีนชมเดือน 3 ชั้น วงเครื่องสายผสมขิม กอไผ่

Ajarn Chanok Sakarik, the youngest son of Phra Maha Thep Kasat Samuh (Nueang Sakarik) and Mrs. Maha Thep Kasat Samuh (Banleng Silpabanleng Sakarik), and a descendant of the revered Luang Pradit Phairao (Sorn Silpabanleng), serves as a bridge connecting musical knowledge and philosophy to contemporary society. The music of yesteryear, the legacy of his family, is preserved and passed down, while new adaptations to suit modern times are evident in his work. Examples include inventing modern music teaching technology, developing Thai music curricula for various institutions, publishing academic books on music and Buddhism, adapting foreign instruments for Thai music (gu zheng, Burmese harp, sitar), establishing the Phummarin ensemble, and playing a vital role in the founding and continuous activities of the Luang Pradit Phairao (Sorn Silpabanleng) Foundation. Ajarn Chanok's dedication to music goes beyond that of a music teacher, fostering a wider audience of Thai music players and listeners across various professions, reflecting his unwavering commitment. May goodness continue to thrive in all aspects of society. The songs you composed are all beautiful, serene, and tranquil, reflecting your simple way of life. Examples include "Lao Nan Chao," "Sud Alai," "Japan Ranjuan," "Yuan Ramphung," "Chin Chom Duean," and "Sai Mok Dok Muey." The Kor Pai Band respectfully offers some of your songs as a tribute to you on this auspicious occasion of your 5th birthday anniversary. Bamboo Ensemble Musicians: Wichai Laoprasert - Khim (Thai zither) Sasirat Bannaraikit - Chakhe (Thai zither) Lerkiat Mahawinichaimontri - Choduang (Thai string instrument) Prasan Wongwirotrak - Khlui Phiang O (Thai flute) Asadawut Sakarik - Ranat Ek (Thai xylophone), Ranat Thum (Thai bass xylophone), Khong Klang (Thai gong), Khlui Phiang O (Thai flute), Ching (Thai cymbals) Chaipak Patrachinda - Khim (Thai cymbals), Saw U (Thai fiddle) Anan Nakkhong - Saw U (Thai fiddle), Percussion Instruments Banhan Palo - Tohn-Rammana (Thai drums), Percussion Instruments Tossaprathana - Ching (Thai cymbals), Tohn-Rammana (Thai drums), Percussion Instruments Kris Lekakul - Ching (Thai cymbals), Krab Phuang (Thai castanets) Recording and Composer: Chaiphon Chirajitkosol, Kant Asawasena Hand Accompanying Supply March-April 2006 Cover Design: Sukcharoen Thongtem Chinese Admiration of the Moon (3-Layer Version) Luang Pradit Phairao (Sorn Silpabanleng) expanded an old melody, "Ton Worachet," into a 3-layer version, naming it "Admiration of the Moonlight." Its gentle style described the beauty of the moon at night. Later, the melody was adjusted to be bright and cheerful like the dawn of a new day, and it was named "Admiration of the Golden Light," or alternatively, "Arun Khai Saeng" (Bright Dawn). This version became widely known and performed. Professor Chanok Sagarik adapted the "Admiration of the Golden Light" melody to have a more Chinese feel, renaming it "Chinese Admiration of the Moon," and composing new lyrics based on the Romance of the Three Kingdoms. Lyrics of the Chinese song "Praise the Moon" (3-part version) First Version Verse 1: When I see the stars dimmed with sadness, Verse 2: Zhuge Liang ponders, puzzled. Verse 3: Is it time for my life to end? Verse 4: My heart is filled with worry and fear. Return Version Verse 1: The great task is not yet complete. Verse 2: I must accept my end. Verse 3: Can I defy the will of heaven? Verse 4: The more I think, the more my heart burns with rage. #LuangPraditPhairao #LuangPraditPhairaoFoundation #FriendsOfMusicProject #ChanokSakrik #KorPhaiBand