VIVALDI UND ICH – Die vergessenen Frauen hinter der Musik | Kritik & Interview

Antonio Vivaldi is considered one of the most famous composers in music history – but VIVALDI AND I is not a classic artist biography. Instead, director Damiano Michieletto focuses on the young women who once played Vivaldi's music: the nameless orphan girls of the Ospedale della Pietà in Venice. These girls mastered highly complex music – and yet remained invisible. Nameless, without their own stories, reduced to their function as "instruments" in a society that granted women hardly any rights. 🎤 In an in-depth MovieStart interview, director Damiano Michieletto discusses: Vivaldi's music as an almost "cinematographic" sound language the relationship between the orphan Cecilia and Vivaldi as an encounter between two prisoners the challenge of combining acting and actual music-making and why he deliberately chose not to portray Venice as a tourist postcard city. 🎬 In this episode of MovieStart: ✅ Review of Vivaldi and I ✅ Interview with director Damiano Michieletto ✅ Why Vivaldi was much more modern than his reputation suggests ✅ The forgotten women behind music history ✅ An unusual historical film blending music, drama, and social commentary VIVALDI AND I is not a dry period drama, but an emotional, visually powerful film about art, freedom, and people who, despite their talent, were meant to remain invisible. 💬 How important are films that bring forgotten perspectives of history to light? Share your thoughts in the comments! 🔔 Subscribe to MovieStart for more film reviews, interviews, and cinematic discoveries. #VivaldiAndI #primavera #DamianoMichieletto #Vivaldi #MovieStart