Making a Drypoint Intaglio Plate
Use an acrylic Akua Printmaking Plate and a variety of traditional and found tools to make lines and tones in an intaglio plate. These are drypoint and engraving processes - they do not require acid or grounds. Remember that you'll often need to work on your plate, proof, and then re-work your plate, then proof again. You probably won't get the ideal values, forms, and textures the first time. Leave time in the process to "negotiate" with your plate - print it, clean it, scrape and draw some more, and repeat.

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Drypoint Prints (Intaglio)

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Drypoint with Christel

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#gravure - Pleksiglas ile Gravür - Kuru Kazıma - Engraving with Plexiglass

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Bridget Farmer - An Autumn Day In The Studio - Making and Printing an Original Print

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Printmaking Process: Intaglio | How Artists Make Prints

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Käthe Kollwitz and Intaglio Printmaking

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The Art of the Mezzotint

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I Built a Two Story Forest House in 15 Days with No Money: Solo Bushcraft Survival (Full)

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Drypoint Engraving at Home - No Press Needed

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How was it made? Etching | Printmaking techniques | Katherine Jones | V&A

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Mezzotint Printmaking: a Tool demonstration and guide

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Monotype, Drypoint and Monoprinting Demos

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Drypoint Printing on Plexiglass - Cat Face

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Collagraph Printmaking: New Tips & Techniques

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Revealing The SPECIAL TECHNIQUE Of A Pakistani Man To EXTRACT GOLD From Used Motherboard Waste

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Intaglio Printing - In The Studio | Jackson's Art

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Lino Cutting With a Rotary Tool

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Crown Point Press: Drypoint Technique

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Preparing Plates for Etching or Drypoint Printmaking

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