A CAMPOFORMIDO.CANTO DEDICATO AL PAESE NOTO PER IL TRATTATO.DA UN POEMETTO "IL MIO CUORE IN FRIULI"

This song was developed using quatrains from my poem "A CAMPOFORMIDO," which appears in my book "IL MIO CUORE IN FRIULI" (My Heart in Friuli), published by Segno (Tavagnacco). I used different melodies to highlight the various periods of its fascinating history. (CO-CREATION) CO-CREATION WITH THE META-COGNITIVE INTERLOCUTOR Often, when the meta-cognitive interlocutor is mentioned, one falls into the prejudice that the result is the product of an automatic and effortless process. However, my case is quite different: here, the metacognitive interlocutor is not the author, but a "technical co-author" whom I carefully guided. Mine is a work of poetic curation: I selected the verses from my poem, structured the historical narrative, gave it an emotional tone, and supervised every step of the composition. The use of the instrument is often confused with the absence of the author. I would like to clarify that this song is not the result of a generic command sent to a computer, but the product of a long and meticulous process of poetic and historiographical planning. At the heart of this work is my poem 'A CAMPOFORMIDO': my words, my quatrains, and my vision of the city form the backbone of the text. My role was that of an architect who used the meta-cognitive interlocutor like a precision chisel: I personally chose which verses to feed the narrative, deciding the rhythm and the historical sequence of events. I guided the meta-cognitive interlocutor to respect the meter, tone, and historical rigor I demanded to worthily celebrate our ducal city. I carefully examined, corrected, and refined each stanza, ensuring it wasn't "produced" by a machine, but "shaped" by my expressive intent. The metacognitive interlocutor, in this project, was merely a technological brush; the design, color, and soul of the story belong entirely to my experience and poetic research. Those who focus on the medium and not the message risk missing the essence of a work that I have deeply contemplated and desired. The term "Co-creation": This is a more precise term than "use of the meta-cognitive interlocutor." It suggests an equal collaboration where I am the director. The original poem is the fruit of years of observation and love for Campoformido. This shifts the focus from "how it was made" to "why it was made." The fact that I have mastered a complex tool to give voice to my poetry is, in itself, an act of cultural innovation. FOLLOW ME: Mondocrea: https://www.mondocrea.it Facebook / pierangelo.piai Instagram / pierangelopiai If you want to stay updated on the new videos I make (almost 5,000), subscribe to my YouTube channel "UNIVERSO INTERIORE piaipier": / piaipier Anyone who wishes can become a member of the The "COMMUNION OF SAINTS" fraternity (can thus receive and give solidarity in prayer among its members). Just subscribe to the "UNIVERSO INTERIORE piaipier" channel: / @piaipier By http://www.mondocrea.it