Kenny Barron - Autumn Leaves Transcription Analysis
https://www.BijanJazz.com/ Happy Birthday to Kenny Barron, one of my favorite jazz pianists of all time! Here is a transcription analysis of his melodic embellishment/solo over Autumn Leaves. There are so many gems to take away just from this 1-chorus: LH Voicings and Rhythmic Approaches, Interactive Comping, Short vs sustained LH comping, harmonic anticipations, Blues licks, Diminished Scale runs, Bebop lines, Line Adaptation, min(maj7) movements, usage of quarter note triplets, secondary dominants, tritone substitution... the list goes on! Not to mention his beautiful touch and sound that he gets out of the instrument. For the PDF to this transcription analysis lesson: http://www.bijantaghavi.com/lesson-vi... This is a free sample from my lesson library for my private correspondence students. For those who wish to study Jazz Piano, email me at [email protected] - we can set up a free zoom meeting/lesson assessment and I can tell you all about my unique personalized video lessons. Read more about my Personalized Video Lessons at: http://www.bijantaghavi.com/personali... Chapters: 0:00-1:05 = Intro 1:06-3:37 = A1 Right Hand 3:38-5:36 = A1 Left Hand 5:37-6:19 = Secondary Dominant Review 6:20-6:50 = Maj6/9 Voicing 6:51-8:48 = LH Voicings - Thinking Like A Composer & Keeping the Number of Voices Consistent 8:49-10:27 = min7b5 LH Voicings 10:28-11:27 = A1 Left Hand con't 11:28-12:39 = LH min7 movement (1-7-b7) 12:40-13:03 = A1+A2 Kenny Track 13:04- = LH Comping Solo Piano vs Trio - downbeats vs offbeats 14:30-15:30 = A2 LH Comping harmonic anticipations 15:31-19:27 = A2 Right Hand (Altered Harmony, Tritone Substitution, 9-1, Kenny Barron Lick) 19:28-19:50 = A2+B Kenny Track 19:50-23:12 = B Section Analysis (Interactive Comping, Quarter Note Triplets, Diminished Scale, Bluesy Double Stop) 23:13-23:38 = B+C Kenny Track 23:39-26:56 = C Section Analysis (Bebop Line, Chromatic Enclosures, Minor 2-5-1, Secondary Dominants, Sixteenth Note Ornaments 26:57-28:25 = Line Adaptation (taking a lick and applying and adapting it over various chord types) 28:26-28:53 = Recap 28:54-29:14 = Outro #KennyBarron #JazzPianoLesson #Improvisation #Voicings Please SUBSCRIBE and feel free to share and spread the word. Sign up for the email list to stay up to date with the latest news and to be in the loop about upcoming events, live stream concerts, and workshops: www.bijantaghavi.com/contact

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