Don Pasquale | Patrizia Ciofi as Norina "So anch' io la virtù magica" | Genève 2007 (DVD excerpt)

A night at the opera, with a comic jewel in the great tradition of the Neapolitan opera buffa: Donizetti's elegant take on the genre, with the verve of baritone Simone Alaimo and the virtuosity of soprano Patrizia Ciofi. Now available on DVD ! Check out on Amazon : http://geni.us/LbCWJgZ Learn more on website : http://geni.us/2HpjmA Subscribe to BelAir Classiques : http://bit.ly/2g1aCPA Follow on Facebook : http://bit.ly/BelAirFacebook Follow on Twitter : http://bit.ly/TwitterBelAir Follow on Instagram : http://bit.ly/InstaBelAir Close to sixty, wealthy fuddy-duddy Don Pasquale is maddened by the idea that when he dies, all his worldly goods will go to his nephew Ernesto, whom he regards as a simpleton: hasn't the young man fallen for Norina, charming but without a penny to her name? So Don Pasquale decides to get married himself, and produce deserving heirs. Doctor Malatesta, a family friend, introduces him to his sister, Sofronia: submissive, virtuous and hardworking, she seems to be just what Don Pasquale wants. Alas, after the wedding, the new wife turns into an insufferable shrew – and a flighty spendthrift into the bargain. An ageing buffoon A comic masterpiece, Don Pasquale stands out as the final flowering of the Neapolitan opera buffa from which Donizetti borrowed his characters: the old fool, the saucy soubrette, the "Dr Headache" who always chips in at the wrong moment, and the thwarted lovers who finally have their way. Yet here the composer also adds in all his elegance and subtlety, giving his main character a depth reminiscent of the novels of Balzac. In collusion with Ernesto and Malatesta, Norina, in disguise, has decided to teach the old fool a lesson; but after two acts of torture inflicted by his termagant of a bride, Don Pasquale, scorned and stripped of his illusions, provokes not laughter but emotion. Here the role is played by baritone Simone Alaimo, that master of Italian lightness, with Patrizia Ciofi as the mischievous Norina. When he composed his opera in 1843, Donizetti, then aged forty-six, was in dire personal straits: ill and soon to become paralysed, he had lost his wife, parents and three of his children to a cholera epidemic. How he found the strength to write this wittily exhilarating gem is the great mystery of a work that remains enormously popular on stages around the world. Music Gaetano Donizetti Libretto Giovanni Ruffini & Gaetano Donizetti Stage direction Daniel Slater Sets and costumes Francis O’Connor Lighting Bruno Poet Choreography Nicole Tongue Chœur du Grand Théâtre de Genève Orchestre de la Suisse Romande Musical direction Evelino Pidò Don Pasquale Simone Alaimo Dr. Malatesta Marzio Giossi Ernesto Norman Shankle Norina Patrizia Ciofi Notaro Romaric Braun Produced by François Duplat Directed for TV and video by Don Kent