Raag Jayant Malhar Tutorial | Alap | Tintal| Moumita Mitra

Raag Jayant Malhar Tutorial. Chalan followed by Alap and a Tintal Bandish. An amalgamation of Jaijaiwanti and Miyan Malhar Kafi ThaaT P S Vadi Samvadi Nyaas on S P and N Aroh Avroh ,D ,n R - MR P - M P n D N S' S' n D P M G R - R P g M R S - ,P GR - R g R S Phrases of Jaijaiwanti ,D ,n R - R g R S- ,P GR - ,N S R G M P - R G M P D n D P- R G M P N S' - S' n D P M G R Phrases of Miyan Malhar R P - g M R S- M P n D n P - M P n D N S' M P D N S' - S' N n D n P - M P g M R S These phrases Mentioned above are usually amalgamated aesthetically to get the Raag. More distinct features of Jaijaiwanti like ,D,n R - ,P R - R g RG are more often used to show Jaijaiwanti. And nDNS' - RPgMRS of Miyan Malhar used frequently used to show the Raagang. Phrases like RGMP gM RS may come but could be avoided to prevent the Ramdasi Malhar shade and Phrases like, NSRGM RPDPM nDPM and nyaas on Ma should be avoided to prevent the Gaud Malhar shade. Tintal traditional lyric recomposed by myself. Gagan Badraa Ghir Aayere Garji Daraawe Rahi Rahi Jhare Ek to Shor Machaawe Morilaa Dooje Nayan Bhuj Farke Teeje Pawan Jhakore #jayantmalhar #malharkeprakar #jayantmalharmoumitamitra #malharkeprakarmoumitamitra #rareraga #rareragamoumitamitra #jayantmhartutorial #ragatutorialseries #ragatutorialseriesmoumitamitra