Exploring Temperaments, Part 1.
Support the channel at / johnmoraitis Thank you for your support! Chapters: 0:00 Introduction 2:33 Why we need temperaments 8:35 Quarter-comma meantone vs equal temperament 13:11 Other types of temperaments 15:40 Enharmonic notes (or a lack thereof) 18:17 Implications for performance 19:11 Enharmonics and keyboard instruments 21:45 Conclusion 22:41 Patreon information Links: Bach, Prelude in C major, BWV 846, performed in three different temperaments: • A Bach prelude in three different temperam... Bach, Prelude in f minor, BWV 881, performed in three different temperaments: • A jazzy Bach prelude, Part 1: performance ... Louis Couperin, Tombeau de Mr. de Blancrocher (includes a demonstration of quarter-comma meantone used as a means of expression): • Louis Couperin: Tombeau de Mr. de Blancroc... Spinet: Neupert "Zenti" (Bamberg, 2008). A=415 Hz

Exploring Temperaments, Part 2: Listening Strategies and Demonstration.

A Bach prelude in three different temperaments.

Tuning 18th-century Well Temperament at the Piano, Part 1 of 2.wmv

How to Play Trills and Ornaments in Bach

Meantone Temperament and Other Historical Tuning Systems, Part 1

Intonation

Comparison between meantone and Rameau temperaments

Bach: Partita No. 6 in e minor – Toccata. Interpretation and Performance.

Amadeus 4K Movie Clip | They Started Without Me | Warner Bros. Entertainment

Bach: demonstration of piano in Lehman's 'Bach' temperament

My Covid-19 Pandemic Project: Building a Troubadour Virginal Harpsichord

Ear Training Is Broken — A Juilliard Professor Fixes It

Walden Moore demonstrates the Quarter Comma Mean Tone Organ at Yale's Divinity School

The Twelve Tone System in Context

Composers’ Workshop, Part 4 - Some Background about the Virginals and Meantone Tuning

Well Tempered Tuning explained by Bach

Quarter-comma Meantone with split sharps

The Mathematical Problem with Music, and How to Solve It

Tuning and Temperaments in the Renaissance - PART II

