A brief history of theory in art history
This is a talk about the ways people have thought about theories (semiotics, feminism, iconography, deconstruction, psychoanalysis, style analsis, connoisseurship, etc.) and theorists (Panofsky, Wölfflin, Rancière, Laruelle, Malabou, Foucault, Deleuze, etc.) in the discipline of art history. There was a period before art history called its interpretive methods "theories," and then a period in which art historians identified what they did, and implicity distinguished it from what neighboring disciplines did, by enumerating their theories. In the 21st century theories have proliferated, but so has the idea that art historians don't need or use theories and that inquiry can be guided by the objects themselves or by any number of individual texts. Through all these changes there's been the question of what art history does differently from other fields. It was originally given in the 2021 College Art Association conference, online on account of Covid.

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Concepts and Problems in the Visual Arts, Lecture C20: Barthes, semiotics, and phenomenology

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(Allen Speight) The Philosophical Challenge of Early Art

An Interview with Noël Carroll - On Arthur Danto and Art Criticism

How Art Works: Psychological Approaches to Philosophical Questions

Stephen Fry Tells The Real Story Behind The Trojan War

Nicholas Wolterstorff: Art and Aesthetics

Hooray for Art History: A Perfectly Useless Degree | Brian D. Seymour | TEDxVillanovaU

Concepts and Problems in the Visual Arts, Lecture C3: Is Visual art different from language?

Seven Ways of Thinking About Images (lecture)

Andy Warhol and the Mimetic Theory of Art | AmorSciendi

What is Philosophy of Art? | Episode 2002 | Closer To Truth

BORIS GROYS: On the Use of Theory by Art and Use of Art by Theory

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Introduction to Art History I

“On Monuments: Place, Time, and Memory”

