Pietro Torri - Requiem Elector Charles VI (1726): 3. Pie Jesu - Offertorio (Dombrecht 2000)

Pietro Torri - Requiem Elector Charles VI (1726): 3. Pie Jesu - Offertorio. Performed by Il Fondamento, La Sfera Del Canto, conducted by Paul Dombrecht. Recorded October 2000 in Italy. With Greta de Reyghere (soloist), Dominique Van de Sande (soloist), Marnix de Cat (soloist), Jan Caals (soloist), Dirk Snellings (soloist). Record label: Passacaille. This video of classical music is solely for personal educational purposes. No copyright infringement intended. Videos are always incidental extracts from published works. If you like the music, please consider supporting the artist and the label by buying the music. Discover more lesser known classical gems at ‪‪@gorgeousclassicalunknown‬ . From Wikipedia: Pietro Torri (c. 1665 or earlier, in Peschiera del Garda – 6 July 1737, in Munich) was an Italian Baroque composer. From 1684 to 1688, Torri served as the organist and choirmaster of the Margrave of Bayreuth, and later entered into the service of the Elector of Bavaria Maximilian II Emanuel. In 1692 he followed the prince with some gentlemen of the court orchestra to the Spanish Netherlands and later settled with them in Brussels where Torri married the daughter of the ballet master François Rodier. Over the following years he lived in Mons, Namur, Lille, Compiegne, and Valenciennes; where his compositions were performed. In 1715 he returned to Munich, where he occasionally composed cantatas; and an opera annually. In 1726 Maximilian died, and his son Charles Albert succeeded him to the throne of Bavaria. For this occasion, Torri composed a musical tribute to the new ruler: the allegorical cantata Bavaria. This work alluded to an early Bavarian claim to the throne of the Holy Roman Empire. On the death of Giuseppe Antonio Bernabei in 1732, he was finally officially appointed as choirmaster at the court of Bavaria. Charles Albert was elected emperor in 1726 as Charles VII Albert and Torri became a musician at the imperial court. His most famous works for voices and orchestra include his Magnificat (for some time erroneously attributed to Johann Sebastian Bach and Antonio Lotti), andLe Triomphe de la paix, a cantata celebrating the Treaty of Rastatt (1714).