DEHŞET BEY I Yanlış Okumalar I Murat Menteş & Yalın Alpay I 20

In this episode, Murat Menteş and Yalın Alpay discuss the new film, "Dread Bey," written by Murat Menteş and released on Amazon Prime on October 21st. The conversation explores "Dread Bey"'s journey from comics to the big screen, the birth of the "intellectual killer/emotional hitman" concept that characterizes "Dread Bey," the production background (fight choreography, weapon designs, nighttime sets), and the character's moral and existential conflicts, weaving them together with references ranging from Jack London to Baudrillard. The story unfolds with Murat Menteş's writing process, the script's evolution into a film, observations from the set, and a tribute to the contributions of director Mehmet Ada Öztekin and his team. "Dread Bey" stars Barış Arduç, Tuba Büyüküstün, and Musa Uzunlar. Dread Bey explores an intellectual murderer's conflict with morality, society, and himself, and the violent expression of these conflicts. All Cast: Baris Arduç (Dread Bey); Tuba Büyüküstün (Abide Hürriyet); Musa Uzunlar (Harun Hürriyet); Saygin Soysal (Nejat Kanije); Yildiray Şahinler (Alparslan Forsa); Aybars Kuday (Kutlukhan Korat); Mehmet Aykaç (Hamza Haza); Ayberk Aladar (Bora Tor); Kemal Burak Alper (Safir Forza); Emrullah Çakay (Safir Forsa); Hilmi Cem Intepe (Silvanli); Onur Özaydin (Bekir Kerbela); Dolunay Soysert (Destan Hatun); Cemal Toktas (Kudret Karadag) Timeline: 00:00 Entering the set and our "shadowing the stars" joke 01:14 Getting to know each other from comics: Kara Karga and the first excitement 02:17 Martin Mystère, the idea of ​​the "intellectual serial killer" 04:25 The collective risk of cinema, the great responsibility 05:14 Night sets and unseen labor 06:31 "What if a high-level intellectual commits murder?" 06:56 Jack London and "Murder Inc." associations 08:43 Examples from Hannibal & Dexter 10:29 Philosophy on life from an Erol Evgin song 12:21 "Who is an intellectual?" and the power of the gun 12:46 Intellectual violence and historical examples 14:09 “Emotional hitman” – the union of two poles 14:40 Kant: “The will is surrounded by the involuntary” 15:09 Character backstory: orphanage, paramilitary structure 16:50 Transformation in prison: 7 hours a day/5 years of reading, the old-new self conflict 17:36 Production scale: crew, choreography, smoke-gun details 18:30 Director: Meeting with Mehmet Ada Öztekin 20:49 Casting: Barış Arduç, Tuba Büyüküstün, first impressions 23:48 Yıldıray/Musa anecdotes and the physical state of “charisma” 26:12 Şişhane set: caravans, division of labor, the “John Wick” gun team 27:27 Hollywood fight coordinators, stylized action 28:40 “Action is a "language is": our place in life 31:06 The idea of ​​a "Hegel-reading detective" 32:23 Violent scene + classical music: the aesthetics of opposites 33:01 The scale of conflict: from human-human to me-me 33:46 Dread Bey as a "layered film" 34:40 Enis Batur and the seriousness of the adventure narrative 36:17 Why a gun on the cover? The symbol debate 37:31 "Every crime is a question posed to society" 37:58 Polarization or hostility? 39:06 Artificial intelligence, the state, Asimov's prediction 40:23 The Baudrillard line and the visibility of subjectivity 42:49 "The empire of amateurs," misinformation, and the age 45:19 "This old man has a knack for it" – a look at mastery 46:36 Collective labor and respect – closing Join this channel to benefit from the privileges:    / @avangarttv