François Truffaut—Film/Critic

François Roland Truffaut, one of the French New Wave's giants, never strayed from his roots as a film critic. We look at his life, influences, and how his filmmaking and critique instruct one another. Please give feedback! I want to know how I can make things better (for instance, I am trying to fix my stutter by making videos like this). films used: 400 Blows (1959) - F. Truffaut Shoot the Piano Player (1960) - F. Truffaut Jules et Jim (1962) - F. Truffaut The Soft Skin (1964) - F. Truffaut Stolen Kisses (1968) - F. Truffaut Day for Night (1973) - F. Truffaut Zero for Conduct (1933) - J. Vigo Rules of the Game (1939) - J. Renoir That Lady in Ermine (1948) - E. Lubitsch They Met in Bombay (1941) - C. Brown Boomtown (1940) - J- ConwayCitizen Kane (1941) - O. Welles Alfred Hitchcock Presents (1955-65) - A. Hitchcock Psycho (1960) - A. Hitchcock Rear Window (1954) - A. Hitchcock Vertigo (1958) - A. Hitchcock Saboteur (1942) - A. Hitchcock interviews of: Martin Scorcese François Truffaut John Sturges Guillermo del Toro music used: Day for Night: Chorale - G. Delerue April in Paris - M. Legrand F for Fake - M. Legrand Orchestra Love for Sale - D. Gordon La La - Slum Village Raw Material - Tsutchie Les Quatre Cents Coups: Générique - J. Constantin