🌸栗栖神楽団 春季神楽公演③神楽「頼政」栗栖神楽団🌀旧舞の素晴らしさを楽しもう📢撮りたて新鮮・中央カメラ重点編集版📅2026年4月4日👹是非「チャンネル登録」をお願いします🙏

【👹からのお願い】 今後、続けていくために、 是非「チャンネル登録」を宜しくお願いします　m(__)m (※ Google IDでログインした後、｢チャンネル登録」ボタンをクリックしてね) ★★今回の情報★★ 👹神楽「頼政」栗栖神楽団 　🎥心を込めて撮りたて新鮮・中央カメラ重点編集版 　〽　神楽歌なし 📅2026年4月4日 栗栖神楽団春季神楽公演〜 廿日市市さいき文化センター〜 栗栖神楽団 ①四方祓 ②八幡 (子供) ③頼政 ④神武 ⑤安達ケ原 ⑥茨木　　(客舞 : 中川戸神楽団) ⑦大江山 🔳栗栖神楽団　プロフィール (くりすかぐらだん) 　昭和32年、栗栖地区の住民たちが郷土発展のためにと矢上系山県舞（六調子旧舞）を伝承し、栗栖神楽団として発足致しました。現在10代から50代の団員で郷土芸能の伝承発展のため日々精進しているところです。 　まだまだ経験不足で技術的にも未熟ですが、「神楽を舞わせて頂く」という感謝の気持ちを忘れず一生懸命頑張っていきたいと思っております。 　皆様方にはこれからも引き続きのご愛顧、ご指導の程をお願い申し上げます。 ■演目　神楽「頼政」 ・平安時代。近衛天皇の御世の事、毎夜丑三つ時に大内裏の東三条ヶ森より黒雲が湧き出て、紫宸殿の屋根を包み、近衛天皇が、時も同じくして得たのしれぬものに怯えて、悩まされるという出来事が起きた。 時の左大臣藤原頼長は連続の事こそ妖の仕業と考え、先例に習い源氏の武士に払いわすべしとの公卿会議の決定を受け、源氏嫡流頼光の流れを汲む兵庫頭源頼政を定める、頼政は、郎党猪早太を引き連れ、真夜中の内裏に向かう。 湧き出た黒雲の中にほんの少し気配を感じた頼政は、一念込めて、弓矢を引き絞りこれを打ち抜く。 尋常ならざる発言を上げた者こそ、牛の体に猿の立ち持ち、手足は虎にして、尾は蛇の姿という化生『鵺（※本字は、空に鳥）』であったという。 戦いの末、頼政は、これを討ち取り、御門の病も見事快癒に向かい、この功績に頼政は、御剣『獅子王』を下賜される。 ■Kagura " Yorimasa " At the end of the Heian period, the young Emperor Konoe, who ascended to the throne, was frightened by something that happened every night at 2 am. When it was discovered that this was the work of a mysterious monster, Minamoto no Yorimasa, a master archer, was called in. Yorimasa took Ino Hayata with him and set out to exterminate the monster. At 2 am, a black cloud appeared out of nowhere and immediately covered the Seiryouden, causing the emperor's suffering to intensify. The monster was called a “Nue”, which had the head of a monkey, the body of a raccoon dog, the arms and legs of a tiger and the tail of a snake. After a great battle, the emperor finally shot the “Nue” down. ■Kagura in Hiroshima Prefecture Kagura is performed in many different ways in various parts of Japan. It is believed that the kagura in Hiroshima developed in the Edo period from Iwami Kagura, which had evolved from Izumo kagura. Izumo kagura is composed of ritual dances, which show the procedures to invite the advent of gods, and Noh dances, which dramatize the admiration of the virtues of gods in order to thank them for having descended from heaven. In the process of evolution, the kagura in this area was also influenced by Yahata kagura and Takachiho kagura in Kyushu and Bitchu kagura in Okayama as well as the old local beliefs of the farmers in the mountainous areas of the Chugoku region. The kagura in Hiroshima is strongly characterized by its dramatization. It has developed into a free and relaxed traditional performing art extremely popular among ordinary people. There are 300 kagura groups in Hiroshima Prefecture. The dancers, who are all amateurs, practice hard to improve their skills. They work or go to school during the daytime, but they play important roles, as volunteers, to preserve kagura. The popularization of kagura has greatly contributed to maintaining people's faith in their shrines and deities and to perpetuating their ancestors' awe and reverence for the threats and blessings of the nature and deities. In the process of dramatization, the kagura in Hiroshima has not lost the archetype of kagura, in which deities and humans come together and enjoy themselves. ■私の写真やタイムラプス動画の購入サイト紹介 　(神楽の写真も有りますよ) The site for purchasing my photographs and timelapse animations https://stock.adobe.com/contributor/2... ♪ Music YouTube Audio Library #広島神楽 #栗栖神楽団 #頼政 #kagura #iwamikagura #iwami_kagura #神楽 #郷土芸能 #伝統芸能 #伝統民俗 #広島 #日本 #japan #shimane #島根観光 #shimane_guide #shimaneguige #日本遺産 #神楽