Spawn | Cosmic Psychedelic Prog Rock | Erec Stebbins “Daughter of Time” Trilogy | Lyrics

“Spawn” lyric video by Mazandarani (“Songs from the Sands” album). A cosmic, emotional journey with psychedelic and progressive rock elements, orchestra, and choir. Verse from the science fiction “Daughter of Time” trilogy set to music. This song and album accompany the release of the 10th Anniversary edition of the trilogy, a complete rewrite of the books by the author (preserving plot, characters, and scenes, but altering the style to reflect his evolution as a writer). Order or download free the 10th Anniversary Trilogy: https://www.erecstebbinsbooks.com/dot... Song Highlights 0:00 Overture: Voices in the Void 0:42 First Verse: Origins 1:12 Instrumental: Guitar Solo, Choir, and Orchestra 1:40 Second Verse: Gestation 2:08 Instrumental: Guitar Solo and Choir 2:34 Third Verse: Abiogenesis 3:03 Instrumental: Orchestra, Choir, and Guitar Solo 3:29 Chorus: Recursion 3:57 Outro: Fractal 4:40 Finale ──────────────────── Lyrics In dust and law I watched my children born. The gathering of clouds crept past my eyes, and soon the shroud of hydrogen was shornby rays of light that sang the first day’s rise. A fetus as a single grain of sand that spins within a storm of desert winds, through eons rendered life and sprouted land— I smile through birth pangs that have yet to end. Decrees the dust drove to some patterned dance, the law that shapes my form and carves my bone, soon molecules found purpose in their trance to mold from mud new offspring of their own. These children stood to gaze into the womb and claimed to know their cradle and their tomb. These children stood to gaze into the womband claimed to know their cradle and their tomb. They gazed into the womb These children gazed Into the womb They gazed into the womb And claimed to know Their cradle and their tomb They claimed to know. They claimed to know. They claimed to know. Their cradle and their tomb. They claimed to know. They claimed to know. They claimed to know. Their cradle and their tomb. ──────────────────── BACKGROUND Mazandarani is the name of a minor but tragic figure in the trilogy. He was deeply but unrequitedly in love with, and utterly devoted to, the Daughter of Time. And he served her well. His poems decorate the opening of each of the seven parts of the third book, “Maker”. The conceit in this new project, mirroring that of the trilogy itself, is that powerful forces from the future who can shape space, time, and consciousness, have reached back in time to communicate with the author's mind. This is in order to pass on messages in the “now” that will positively affect the future. In this musical project, the Daughter of Time chooses to speak through the poetry of Mazandarani, not only in the static verse on the pages of the novel she inspired Erec Stebbins to write, but also through music that she has led him to produce. It is another attempt through various media to shape the consciousness of the past toward building a better future. SYNTHETIC MUSIC Because of the controversy around and the frequent abuse of the technology, to be completely transparent, the music in “Songs from the Sands” is 100% AI generated. Given the author's current means, time, and talents, he could never have composed or commissioned 8 songs in completely different genres that are made to his own tastes and hopes for the poetry. With AI (and thousands of generations and many iterative edits of music and prompts), he could afford to produce this music and shape it toward something that is emotionally moving and meaningful to him. For the AI-pathic: In the midst of how the greedy billionaires and power-drunk rulers of our world abuse all technology, you might consider “Songs from the Sands” as a positive example of what this tech could be. Plowshares or swords, every technology was built upon the efforts of many in our species and each has brought beauty and horror depending on how it was wielded. AI is no different. AI is a new, powerful tool for the creative process. While some pervert it for the darkest evils and mundane slop, it doesn't have to be that way. In that spirit, “Songs from the Sands” is offered as a counter example. Imagine the better future if our tech were used exclusively for beauty and good. The choices are always in front of us. ──────────────────── The “Daughter of Time” trilogy rewrite (including poems) and associated synthetic music are placed into the public domain (CC0) by the author and producer, Erec Stebbins, with no restrictions on use. There is no monetization.