Estrazione del lapislazzuli (il pigmento, dalla pietra alla pittura)
The complete procedure to extract the blue pigment (lazurite) starting from the stone, up to the painting of a Sacred image in the Renaissance style. In this video the iconographer Daniela Natali shows the entire procedure, repeated following the instructions left in 1400 by Cennino Cennini, in his famous "Libro dell'arte" (the book of arts). Lapis lazuli is the most valuable pigment among those geerally used; to obtain the bluest pigment, also called "Fra 'Angelico blue" or "Beato Angelico blue", a particular extraction procedure must be used, which is well explained in the video. Daniela Natali then shows one of the main uses of the pigment: the blue of the robe in Mother of God painting. At the end of the video it will be possible to see an image of the "Madonna", inspired by Sano di Pietro, whose mantle is painted with lapis lazuli, also known as Armenian blue.

Iconography: paint over gold with sgraffito

Traditional painting: creating natural pigments from earth (used for egg tempera)

Shell Gold

Fra Angelico blue pigment extraction

ICONA - Madonna della Tenerezza

Chichvarkin Saves Putin | Vitaly Portnikov

We tried making the most expensive pigment ever! (Becoming Artsy 204)

Giotto - The Book of Art (Technique and Colors) by Luciano Emmer

Lapis Lazuli from rock to powder

ΒΥΖΑΝΤΙΝΗ ΑΓΙΟΓΡΑΦΙΑ (ΣΑΡΚΩΜΑ ΠΡΟΣΩΠΟΥ) /BYZANTINE HAGIOGRAPHY/Iconography/ Византийская агиография

Iconography: oil tempera (on a Renaissance painting)

The Process of Making Botanical Lake Pigments

SKINIYA. CREATING AN ICON. ANTON & EKATERINA DAINEKO

Leonardo's technique

Alexandre Sobolev Iconographe

imprimitura a gesso di Bologna e colla di coniglio

Giotto's Technique

Genuine Madder Lake Pigment extraction.

Prosopon School - Process

