Sam Wu: Glass Terminals (2024), sonata for oboe and piano [SCORE]
0:00 i. transience 3:08 ii. aria 7:26 iii. hub https://www.samwumusic.com/glass-term... commissioned by Courtney Miller (@oboecm), as part of her "Postcards from Six Continents" project Courtney Miller, oboe Alan Huckleberry, piano (i, ii) Suzanne Polak, piano (iii) "Glass Terminals" is a reflection upon airports as liminal spaces. Terminal interiors (especially more recent airports) are designed to help passengers navigate their way from check-in counters to boarding areas. Glass aesthetics predominate––a means of easing travellers’ claustrophobia, and a way to introduce natural lighting. The passengers, particularly those in-transit, are in a state of “limbo;” neither here nor there. As a result, airports exist in dynamic equilibrium, with people constantly commuting to and fro, flying in and out. The music explores these aspects of air travel within three distinct movements: “transience” focuses on the dynamic equilibrium of transiting passengers; “aria” is a meditation on theprocess of waiting at a boarding gate (while also paying homage to Baroque adagios); “hub” is inspired by the complex networks of inbound and outbound flights, as well as bus, train, and highway connections between airports and their respective cities. #piano #oboe #sheetmusic #architecture #airport #glass #newmusic #sonata
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Sam Wu: Mass Transit (2022), for piano quintet [SCORE]
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Oboe Sonata, Op.166 (C. Saint-Saëns) Score Animation

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Sam Wu: Travelogues (2025), sonata for violin and piano [SCORE]

Glass Terminals by Sam Wu
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Sam Wu: Ocean Moons (2023), for 2 pianists and 2 percussionists [SCORE]

Heinz Holliger - Sonata for oboe solo | Basel Music Academy

Adagio (Cello, Piano, Violin) - Beautiful Relaxing Classical Music

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Nobody Explained the Schrödinger Equation Like THIS!
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75e Concours de Genève - Oboe Semi-Final, Session 3 ( Koppitz, Krimer)

Unbelievable Smart Worker & Hilarious Fails | Construction Compilation 🚧👷#EP2 #fail #construction
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Sam Wu: ...the end of snow is nirvāṇa (2017), for solo harp [SCORE]

Emotional Adagio in the Style of Franz Liszt | Violin, Cello & Piano | Romantic Classical Music

