Oxford Interfaith Forum | Caucasian Persianization: Man in the Panther Skin in the Bodleian Library

#Interfaith #Religion #Theology International Interfaith Reading Group on Manuscript in #Interfaith Contexts SUBSCRIBE for more sessions: ►    / @oxfordinterfaithforum   Twitter: https://x.com/FaithsOxford Website: https://www.oxfordinterfaithforum.org/ Caucasian Persianization: The Man in the Panther's Skin in the Bodleian Library 11 May, 2026 We are deeply honoured to welcome Dr Jaimee Comstock-Skipp, Leverhulme Early Career Fellow in the Faculty of Asian and Middle Eastern Studies, and Research Fellow at New College, University of Oxford, to lead a session of the Manuscripts in Interfaith Contexts Reading Group. Abstract: What makes an illustration a ‘Persian miniature’? The paintings within a Georgian-language Vepkhistqaosani (Man in the Panther Skin) by Shota Rustaveli (c.1160 – c.1220) in the Bodleian Library MS Wardrop d.27 look ‘Persian’ and connect to Iran. The term ‘Persian’ can refer to the language of a manuscript containing illustrations or a geographic attribution where Persian was spoken or appreciated, but it more often functions as an elusive cultural and stylistic evocation deployed without proper explanation. The Bodleian manuscript permits a targeted investigation into specific artistic and political connections between Iran and Georgia in the late 16th through the 17th century. Its illustrations, posited to have been completed c.1650–1700, reflect a familiarity with artistic conventions and developments in the Safavid capital Isfahan, synthesised with elements from local workshops in or near Tbilisi. Whereas the qualifier ‘Persian’ is often taken as a given, the talk offers a case study in artistic and sartorial influence and diffusion between presumed original source material and later assimilation and deployment elsewhere. In addition to political co-mingling, numerous artists originally born in Georgia served in the Royal Safavid workshops. How long a style associated with one centre takes to transfer to another is an open question, as is whether the artists responsible for the Bodleian manuscript’s illustrations were personally trained in Safavid workshops, or whether forms and figures were transferred through circulating materials for Georgian artists to copy. Speaker: Dr Jaimee Comstock-Skipp is a Leverhulme Early Career Fellow in the Faculty of Asian and Middle Eastern Studies, and a Research Fellow at New College, University of Oxford. Chair: Dr Shaahin Pishbin, Laming Junior Research Fellow at the Queen’s College, Department of Asian and Middle Eastern Studies at the University of Oxford. More information: https://oxfordinterfaithforum.org/the...