20 años escondiendo el flash
People are eager to experience things from the comfort of their own homes. And photos that appear to be taken in the photographer's studio take away that natural, spontaneous charm. That's why I strive to make the use of flash invisible in my photos so that people can experience them as real experiences, as if I hadn't intervened in them. I don't consider it a deception, since photography isn't reality; that's my way of representing it.

▶︎
The photography light died

▶︎
Donde están mis flashes, está mi estudio

▶︎
El flash en 15 minutos/Carlos Sardá Fotografía

▶︎
The Expensive Lie Every Photographer Believes

▶︎
Cómo tomar retratos profesionales con un flash

▶︎
La gestalt. ¿Qué es? ¿Para qué sirve en fotografía?

▶︎
Framing in portraiture: Where can I crop?

▶︎
¿FULL FRAME da más calidad? 🤔 | Podcast 🎙#146

▶︎
Una máscara para mi flash

▶︎
30 años en bodas condensados en 1 hora

▶︎
The movement in our photos

▶︎
Basta de excusas. Todo esto con 1 solo flash

▶︎
La estética de la luz. Clase en AFOCH por Gustavo Pomar

▶︎
Portrait photography: Do I need a posing book and several Lightroom presets?

▶︎
We didn't find the photo, we created it.

▶︎
Composition in Photography: The Part Nobody Teaches

▶︎
Framing, transforming the ordinary into art.

▶︎
PHOTOGRAPHERS' CONFESSIONS | New season March 2024

▶︎
Las habilidades que nadie te enseña para triunfar en fotografía

▶︎
