Dr. Strangelove, Discordianism & 30 Greatest American Songwriters

An essay that looks at a particular scene in Stanley Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) that inadvertently (maybe) demonstrates one of the key principles of Discordiansim and its founding text the Principia Discordia (1963). Review/analysis references the following materials: The 30 Greatest Living American Songwriters (New York Times, 2026) Mammalian Politics (Robert Anton Wilson, The Illuminati Papers, 1980) Barry Lyndon (Stanley Kubrick, 1975) Full Metal Jacket (Stanley Kubrick, 1986) Paths of Glory (Stanley Kubrick, 1957) For entertainment/educational purposes only