なぜ角川映画は日本を熱狂させたのか｜昭和を変えた映画革命

The late 1970s and 1980s. While Japanese cinema was in decline, a series of films sparked a "social phenomenon." The Inugami Family Proof of Man Proof of the Wild Sengoku Self-Defense Forces Sailor Suit and Machine Gun *The Girl Who Leapt Through Time*— At the heart of this was "Kadokawa Pictures." Television commercials, theme songs, tie-ins with original novels, massive advertising. Kadokawa Pictures was already implementing the media mix strategy that is now commonplace, back in the 1970s. On the other hand, they also faced fierce criticism: "All advertising, no substance" "Advance ticket sales tactics" "Commodifying movies" However, there's no doubt that they rekindled "enthusiasm" in the stagnant Japanese film industry. This time, we will trace the impact that "Kadokawa Pictures," created by the maverick Haruki Kadokawa, had on the Japanese film industry, and its light and shadow. ▼Related Videos Why did Kindaichi Kosuke become a different person?    • なぜ金田一耕助は別人になったのか   Why is the time in "The Girl Who Leapt Through Time" so cruel?    • なぜ『時をかける少女』の時間はこんなにも残酷なのか   Why weren't Showa-era idol movies consumed? | A record of 11 films    • なぜ昭和のアイドル映画は消費されなかったのか｜11本の記録   Chapter Table 00:00 Opening 00:51 Prologue 02:41 Chapter 1: The Crisis in the Film Industry and the Emergence of Kadokawa Haruki 05:33 Chapter 2: "The Inugami Family" and the Media Mix Revolution 08:16 Chapter 3: "Proof of Man" - The Completion of "Kadokawa's Business Method" 11:55 Chapter 4: The Light and Shadow of the Big-Scale Film Route - From "Proof of the Wild" to "Virus" 15:50 Chapter 5: "Sailor Suit and Machine Gun" - Towards the Era of Idol Movies 19:29 Chapter 6: Did Kadokawa Films Save Japanese Cinema? 23:08 Chapter 7: What Kadokawa Films Left Behind 25:59:14 Epilogue +++ Thank you for watching! Please feel free to leave your comments. Please subscribe to our channel →    / @worldmeetsjapan-us7pw   --------------------------------------------------------------------------------------------- *This video does not slander or discriminate against any particular country, ethnicity, or ideology. Nor does it promote such views. *This video is based on objective "facts" and "data," using media reports, newspapers, online articles, and social media as information sources. *This channel is not operated with the intention of infringing copyright. --------------------------------------------------------------------------------------------- *This is original content created by the operator.