The dear warp and weft at Hammersmith: William Morris's carpets at Kelmscott House
Curator Helen Elletson explores Morris’s own outstanding collection of Persian carpets, how he displayed them in his home, his role as historic textile adviser to the South Kensington Museum, and his successful endeavours at mastering the ancient art of hand-knotting himself. This mastery of technique resulted in Morris’s ground-breaking role when founding the Hammersmith carpet workshops and thereby creating the highly-prized works of art that were inspired by the exquisite patterns and profound beauty of the historic Persian carpet.

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Coffee with a Curator: The Holy Grail Tapestries

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The Frank Zappa Interview That Still Feels Dangerous Today (1984)

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My Golden Retriever Heals a Terrified Rescue Kitten in Just 3 Meetings!

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1986: How to Spot the Upper Class | That's Life! | BBC Archive

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Artist Sheila Hicks: We're Crying for Softness

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Three Kings Built This Stamp Collection. It's Worth £100 Million

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Untouched 1710 Built Queen Anne House For Sale In London

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The French Do Not Care About Work

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Coffee With A Curator - Edward Burne-Jones’s Saint Radegunda and Morris & Company in Cambridge

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2,500-Year-Old Greek Glass Bought At Auction Shocks With Valuation | Antiques Roadshow UK

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Spotlight on V&A Jewellery Collections

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Akbar Mahdiei: Isfahan’s Most Talented Carpet Producer

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Dieter Rams pointing at things he doesn't like

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This old Swiss roll recipe is better than many modern ones! Totally without lamination!

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John Constable: The radical landscape of The Hay Wain | National Gallery

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„Die meisten Bilder sind nichts wert“ – Beltracchi über die Kunstwelt

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Pre-Raphaelites: William Morris' Bed

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Golden Retriever Meets Completely Broken Rescue for the First Time

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Goldschmiedin Bettina Dittlmann: Wunderwerk für Altöttinger Madonna |Zwischen Spessart und Karwendel

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