424 Spring/Summer 2026 Full Runway

424 Spring/Summer 2026 – “SLOPPY” Written for sevenonethreemag.com Guillermo Andrade’s latest 424 collection hit Paris like a precision crash—loud, cinematic, and unapologetically raw. Titled “SLOPPY,” the Spring/Summer 2026 presentation unfolded in the open air at Monnaie de Paris, surrounded by a fleet of Porsche 911s. It was part punk parade, part luxury showroom, fully committed to 424’s vision of LA street culture colliding with old-world opulence. The clothes followed suit: distressed denim, oversized boots, boxy tailoring, and grunge tees—including a Rolling Stones graphic sourced from Rock Revival. Nothing felt polished, but everything was purposeful. It was dirty in the best way—leather worn like armor, shirts that looked slept in, and styling that leaned into lived-in masculinity. Actor Will Poulter opened the show in a sharp pinstripe co-ord and aviators, a casting move that summed up the collection’s fusion of Hollywood energy and downtown grit. Roddy Ricch, REMA, Julez Smith, and DJ Shimza added to the cultural mosaic—424 doesn’t just make clothes, it builds worlds. Accessories and collaborations elevated the chaos. Jewelry came courtesy of Hoorsenbuhs, eyewear from Dita, and the runway’s backdrop—those Porsches—hinted at an ongoing relationship between Andrade and the luxury auto brand. Even backstage, a glimpse at worn Vans hinted at future 424 collabs still to drop. “SLOPPY” wasn’t a mistake—it was the point. The mess was the message. And once again, 424 made a case for disorder as luxury.