【音楽理論】「５音音階」なのに５音じゃない⁉ ～ ヨナ抜き音階の真実

Composer Toydora unravels the secrets of the "Yonuki scale." Comments welcome! Questions are appreciated if you register as a member or donate. Reference Videos 7:20 The Secret of Melody →    • 【音楽理論】脱・初心者！ 自然なメロディとは何か？   15:39 Analysis of Hidekazu Tanaka's "Hana wa Odoreya Iroha ni Ho" →    • 【音楽ガチ分析】田中秀和『花ハ踊レヤいろはにほ』～ 転調が自然すぎて気づけない…。頭...   More practical pentatonic theory "Japanese Harmony" →    • 【音楽理論】「日本和声」解説！ ～ 演歌もヨナ抜きも実は偽物⁉ 真の日本音楽は「レ」...   0:00 What is Pentatonic? 0:41 Is Senbonzakura Pentatonic? 1:15 Kenshi Yonezu's "Sayonara Mata Itsuka!" 2:02 Sakanaction's "Kaiju" 3:08 Is That Really Pentatonic? 3:33 The pentatonic scale isn't just 5 notes 4:18 The basics of the Yonanuki scale 5:58 It sounds somewhat right even when played haphazardly 7:05 There are no semitones 7:57 Dominant resolution is impossible 8:36 Why do F and B return for just a moment? 9:16 Confirmed with Senbonzakura 10:11 Confirmed with Kenshi Yonezu 11:59 Confirmed with Sakanaction's "Kaiju" 13:32 It's not simply a matter of omitting F and B 13:44 The pentatonic scale can be used in multiple keys 15:32 An example from "Hana wa Odoreya Iroha ni Ho" 17:20 The original meaning of the pentatonic scale 17:49 Various 5-note scales 18:18 Insenho/Miyako-bushi scale 18:55 Ryukyu scale 19:20 "Penta = Yonanuki" is not true 19:56 Summary ------------------------------------------------------------------------------------- Composer Toydora → https://tomita-haruki.studio.site/ #Pentatonic #Five-note scale #Yonuki scale #Music theory #Composition