STEVEN SPIELBERG Y SU CINE DE CIENCIA FICCIÓN

Few filmmakers in Hollywood history have gazed at the sky with such obsession, wonder, and humanity as Steven Spielberg. From his early years as a director, the unknown universe has been for him not only a stage for adventures, but a mirror reflecting humanity's deepest fears, dreams, and hopes. It all began in 1977 with Close Encounters of the Third Kind, a film not about invasions or war, but about contact, curiosity, that primal and irresistible impulse to reach out to the unknown. Five years later, E.T. the Extra-Terrestrial became one of the most moving stories ever told in a movie theater: the impossible friendship between a boy and an extraterrestrial being who, deep down, just wanted to go home. But Spielberg never settled for repeating himself. In Artificial Intelligence, he explored the limits of consciousness and love in a future dominated by machines that dream of being human. In Minority Report, he immersed us in a society where crime is punished before it's committed, questioning freedom, power, and state surveillance. And with Ready Player One, he demonstrated that his imagination knows no bounds, constructing a virtual universe where pop culture and nostalgia become humanity's last refuge. Now, almost fifty years after that first encounter on celluloid, Spielberg returns to his most intimate obsessions with Disclosure Day, a story that poses a question as simple as it is devastating: if someone showed you that we are not alone in the universe, would you be scared? Once again, the master reminds us that science fiction, in his best hands, has never been about space. It has always been about us.