The Backbone of Flamenco Music Revealed: Andalusian Cadence Explained #3: Variations šš¤š
If you enjoy flamencoMAPS, please consider supporting our work on Patreon: Ā Ā /Ā flamencomapsĀ Ā It is essential for all flamenco dancers, singers, guitarists, musicians and anyone who really wants to understand this music / dance to become familiar with what is called the "Andalusian cadence". It is the backbone of flamenco music, it structures the guitar language as well as the baile and the cante. There are strategies to make this cadence every time new, different, interesting, personal⦠instead of only repeating exactly the same things over and over. That would be boring, but as you know, flamenco is not boring. In fact, it is in a way the Art of always doing the same thing but never the same way. Part 1: Ā Ā Ā ā¢Ā TheĀ BackboneĀ ofĀ FlamencoĀ MusicĀ |Ā TheĀ Andal...Ā Ā Part 2: Ā Ā Ā ā¢Ā TheĀ BackboneĀ ofĀ FlamencoĀ MusicĀ Revealed:Ā A...Ā Ā #flamencomaps #flamencolessons #flamencocompas ____________________ FREE eBOOK to DOWNLOAD: "Flamenco, from Practice to Art: Find your Way, Enjoy the Journey", on https://flamencomaps.com/ ____________________ Intro: 00:00 1Ā· Substitution: 01:08 2Ā· Meet Manolo: 02:35 3Ā· Hear Manolo: 03:39 4Ā· Recognize Manolo: 05:27 5Ā· Spot Manolo: 07:37 Conclusion: 09:22 Ć”mono: 10:00 ____________________ flamencoMAPS on social media: Facebook: flamencomaps Instagram: @flamencomaps ____________________ We can spend years learning choreographies, steps, letras, or falsetas by heart and still miss the fundamentals of how it REALLY works. FlamencoMAPS gives Flamenco dancers, singers, guitarists, percussionists or simply flamenco enthusiasts a global vision allowing them to make their way through this abundant, rich and complex art. Let's talk about music, dance, interactions, communication, improvisation ... but also artists, culture, language, context, history and stories ... FlamencoMAPS: find your way, enjoy the journey! ________________________

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Paco de LucĆa | Live at LiĆØge Guitar Festival | 1983

