Liszt - Valse de concert, S430
The Valse de concert based on the Suite en forme de valse for piano duet by János Végh (1845–1918; the vice-president to Liszt at the Academy of Music in Budapest from 1881) is one of the rarest of the published pieces of Liszt. Although the thematic material is innocuous enough, Liszt turns it into the most attractive vehicle for the wistfulness of his old age, and the language has much in common with his late Valses oubliées.

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Liszt - Valses oubliées, S215

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Liszt - Grosses Konzertsolo, S176 (Dacic)

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Arrau plays Liszt - Bénédiction de Dieu dans la solitude, S. 173/3 (1847)

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Juilliard Pianist Reacts to (and Corrects) Viral Piano Tips

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Rachmaninoff plays Liszt Hungarian Rhapsody No. 2 (Score) with his Cadenza

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Liszt - Capriccio alla turca sur des motifs de Beethoven, S388 (Yoo)

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Liszt - Réminiscences des Puritains, S390i (Hegedűs)

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My Favourite Finales In Classical Piano

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Liszt: Six Consolations, S.172 (Zilberstein)

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I Judged 100+ Pianists: 5 Mistakes That Eliminated Them in 30 Seconds

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The HARDEST openings in piano history (and why they SUCK to play)

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Liszt - Réminiscences de Lucrezia Borgia, S400 (William Wolfram)

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Liszt - Trois morceaux suisses, S156a (Dubé)

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Liszt Mephisto Waltz

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Liszt - Glanes de Woronince, S249 (Mikulska)

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Liszt: Bénédiction de Dieu dans la Solitude (Hough, Korstick)

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Valentina Lisitsa plays Liszt's Hungarian Rhapsody No. 2

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Liszt - "Spanish Fantasy" S.253

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Liszt - Réminiscences des Huguenots, S412iii (Cohen)

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