Bhajan Morlliyun Wajaye

Singer : Narodha Malni Bhajan : Morlliyun Wajaye Aa kaniya kaniya Aa Kaniya ( COURSE ) NandLala kaniya aa kaniya ( COUSRE) 2 MURLIYUN WAJAYE DIWANE BANAYE KADE HALIYO WAIN MOTI AAO TUN , MOTI AAO TUN ,KIRSHAN KANIYA KADE HALIYO WAIN ( COURSE LINES) SHAM PIYAR O MUHINJA SHAM PIYARA ( 2) ( 1ST STANZA) YAKO WEHI RAHEN TUN MATHRA PAL PAL MAIN KAYAN THI MAN SADRA (2) SIK MAIN SIKAYE ,NIND FITHAYE ,KADE HALIYO WAIN MOTI AAO TUN, MOTI AAON TUN ,KIRSHAN KANIYA KADE HALIYO WAIN MORLIYUN............................ AA KANIYA KANIYA ................... (2ND STANZA) ( COURSE ) MY DEAR KANIYA COME HERE (2) TOKHE DISANR LA AKHIYUN SIKAN THIYUN THOKHE KENHAN JUDAIYUN WANRAN THIYUN ( COURSE ...... SHAM PIYAR O MUHINJA SHAM PIYARA ) TOKHE DISANR........... " REAPEAT " RAHON NIHARIYAN , TOSAN MILANR LAYE ,KADE HALIYO WAIN MOTI AAO TUN,MOTI AAO TUN ............................. ( 3RD STANZA) ( COUSRE ....... AA PUKARE PUKARE AA PUKARE ,TOKHE SHARE RADHA TOKHE SHARE) CHO KON BUDHIN THO PUKARON ,KEHIYUN MOHAN DIYAN MAN MAIARON ( COURSE) CHO KON BUDHIN THO PUKARON, KARIYUN MOHAN DIYAN MAN MAIARON JALDI HALI AA DIL HE JALI AA ,KADE HALIYO WAIN MOTI AAO TUN , MOTI AAO TUN ,KIRSHAN KANIYA KADE HALIYO WAIN MORLIYUN ...................................................... ( COURSE) ( 4RTH STANZA ) ( COURSE .........MY DEAR KANIYA COME HERE 2) HAR GAL MAIN TUHINJO ZIKAR AA , MUHINJAY MAN MAIN TUHINJO MANDIR AA, 2 YAD SATYE DIL THI JALAYE KADE HALIYO WAIN MOTI....................................................... MORLIYUN WAJAYE.............................................. ( 5TH STANZA ) (COURSE.................RADHA SADE TOKHE PAYE RADHA SADE 2) ROYE RADHA THI TUHINJI PIYARI KAR ACHANR JI MOHAN MURARI 2 MOLAI MITHRA BOL BUDHAYE ,KADE HALIYO WAIN MOTI AAO TUN ,MOTI AAO TUN ,KIRSHAN KANIYA KADE HALIYO WAIN 2 KIRSHAN KANIYA KADE HALIYO WAIN ( THE END LYRICS TYPED BY NARODHA MALNI) A bhajan (Hindi: भजन) literally means "sharing". It also refers to any song with religious theme or spiritual ideas, in a regional Indian language. A Bhajan has no prescribed form, or set rules, is in free form, normally lyrical and based on melodic ragas. It belongs to a genre of music and arts that developed with the Bhakti movement. It is found in the various traditions of Hinduism but particularly in Vaishnavism, in Jainism, and as Shabad Kirtan form in Sikhism. Ideas from scriptures, legendary epics, the teachings of saints and loving devotion to a deity are the typical subjects of bhajans. It is usually a group event, with one or more lead singers, accompanied with music, and sometimes dancing. A bhajan may be sung in a temple, in a home, under a tree in open, near a river bank or a place of historic significance. The saints of the Bhakti movement are credited with pioneering many forms of bhajans, starting with the South Indian bhakti pioneers, but bhajans have been widely composed anonymously and shared as a musical and arts tradition. Its genre such as Nirguni, Gorakhanathi, Vallabhapanthi, Ashtachhap, Madhura-bhakti and the traditional South Indian form Sampradya Bhajan each have their own repertoire and methods of singing.