Entrevista: os bastidores de uma ópera que envolve aproximadamente 150 pessoas

Can an opera be considered a sung piece of theater? How do artists manage to sing without microphones for hundreds of people? And why does a work written almost 175 years ago continue to move audiences around the world? In this interview conducted at the Carlos Gomes Theater in Blumenau (SC), we spoke with pianist and cultural producer Matheus Alborghetti, one of the creators of the Harmonia Italiana project, which brought Giuseppe Verdi's opera Rigoletto to the city after more than two decades without a complete performance of the genre. During the conversation, Matheus talks about the origin of the project, the challenges of bringing together around 150 professionals in a single production, the importance of the orchestra pit at the Carlos Gomes Theater, and what the audience experiences when watching an opera for the first time. 📍 Interview recorded on June 3rd (2026), in Blumenau (SC) 🎭 Italian Harmony Project 🎼 Opera Rigoletto – Giuseppe Verdi 🏛 Carlos Gomes Theater 🔔 Subscribe to the channel and follow the interviews, reports and stories that move Blumenau and the Itajaí Valley. 🌐 Website: https://oblumenauense.com.br 📸 Instagram:   / oblumenauense   📘 Facebook:   / blumenauense   🧵 Threads: https://threads.net/@oblumenauense 𝕏 X (Twitter): https://x.com/oblumenauense #Opera #Rigoletto #GiuseppeVerdi #ClassicalMusic #LyricalMusic #TeatroCarlosGomes #Blumenau #Culture #Art #ItalianHarmony #Interview #SantaCatarina #OBlumenauense #News #BlumenauSC