20th Century Mutoid Man: Joe Rush - Part 1

If you had been at the Glastonbury Festival in 1987,  you may have seen a familiar silhouette emerging in the dawn light  - upright monoliths arranged in a circle. Was it Stonehenge - magically transferred here across the Salisbury plain? No, it was ‘Carhenge'- a circle of upright cars, their chassis standing like monoliths, the archaeology of the automobile age And imagine ‘Tankhenge', a gateway made from abandoned Soviet tanks assembled in Berlin just after the fall of the Berlin Wall — the wreckage of the Cold War turned into a piece of anarchic sculpture Or imagine a huge mechanical creature crawling across the desert at the Burning Man festival in Nevada These strange and spectacular visions all come from the same source: The Mutoid Waste Company— a collective that, since the early 1980s, has been transforming the debris of industrial civilisation into giant sculptures, mutant vehicles and temporary worlds built from waste. This is the first part of our conversation with Joe Rush, the artist at the centre of it all. It takes us into the world of late 1970s West London, the punk years, the alternative communities and squats of the People's Republic of Frestonia, and the signpist along the way to becoming a Mutoid... --- If you’d like to get involved and contribute to this crazy endeavour, join our Patreon HERE (  / bureauoflostculture  )   Thank you to everyone who’s signed up to support the show —that really does mean a lot. We have chosen not to carry ads here; it simply wouldn’t sit right with what we do. But that does mean we can really benefit from your support, in whatever form that takes. not just financial.   Stephen    Photograph: Courtesy of Guy Mayhew #BureauOfLostCulture #JoeRush #MutoidWaste #ScrapArt #IndustrialArt #BurningManArt #Counterculture #RecycledArt #PostIndustrial #UndergroundCulture